Mixit Print Studio is an open access professional printmaking studio owned and operated by Catherine Kernan, Jane Goldman, and Randy Garber. Although privately owned, the studio fosters a supportive and interactive community of printmakers/artists.
Mixit Hand Soap RobinZBolgerFounded in 1987, Mixit Print Studio occupies 1800 square feet on the ground floor of Mixit Studios Cooperative, an artist-owned live/work building, formerly the factory for Mixit Hand Soap.

Over the years Mixit Print Studio has sponsored many group exhibitions, produced several portfolios of prints, now in important collections, and published or co-published two substantial books about the studio to accompany exhibitions. We have mentored a number of young artists, and we offer workshops on a range of printmaking topics.

The studio is fully equipped for making and printing large-scale intaglio, monotype, monoprint, relief, and photo-intaglio plates.

Features that make Mixit Print Studio one of the premier printmaking studios in the Boston area include:

Our convenient location to public transportation
A limit on the number of artists using the studio at any one time
Intelligently and flexibly organized space
An emphasis on safer and sustainable printmaking processes
Quality equipment that can accommodate large plates
A vibrant and supportive community of artists / printmakers
Participation in exhibitions, portfolios, and Somerville Open Studios
Generous sharing of technical information and feedback on work
Workshop opportunities are open for registration. Please see website for all listings.

INTRODUCTION
Benesch and Landworks Studio, on behalf of the City of Wichita, invite professional artists and artist teams with a demonstrated history of completing durable, permanent public art projects to submit their qualifications.

PERCENT FOR ART & CAPITAL IMPROVEMENT PLAN
This project’s artistic elements are funded through the Percent for Art Ordinance and the City of Wichita’s Capital Improvement Plan. In 2019, the Wichita City Council approved an ordinance that allotted 2% of capital improvement funds to a pool of funding allocated for the commissioning of on-site artworks that then become part of the citywide art collection. The administration of the Percent for Art Program is overseen by the Design Council, an 11-member advisory board.

PROJECT BACKGROUND AND CONTEXT
Opportunities have been identified for art to be integrated or installed as part of the next 3.5 miles of Redbud Trail improvements to be completed by the end of 2026. Redbud Trail is a 15-mile multi-modal trail, in various stages of development, located on an abandoned BNSF railway extending from Wichita through Andover and terminating in Augusta, KS. The trail has three public art installations completed in Wichita. These are located at 9th and Hillside, 13th and Roosevelt, and 17th and Oliver on paved portions of the trail. These installations showcase people who live(d) in nearby neighborhoods with interesting stories to share. It is not the intention of this call to continue highlighting individuals or accomplishments, but there is an opportunity for consideration of continuity in elements like colors, materials, shapes, or styles.

Andover, Kansas has also completed some customization along its trail segment with unique fence panels. This is currently being considered by the design team and not necessarily in the scope of art.

See Site Details Exhibit “A” for a site map and existing conditions.

PROJECT AREA AND CHARACTER
The portion of the trail for consideration starts at Woodlawn Avenue just north of Wichita Firehouse 14 and extends east across Rock Road and ends just east of K-96, where it connects to the K-96 path. Adjacent properties include residential lots within planned subdivisions, HOA-maintained green spaces, a middle school, undeveloped commercial, and commercial/retail stores near the intersections of Rock Rd. and Webb. Rd.

The trail is fairly wooded in some places and the goal will be to keep a similar appearance. Some tree trimming and minimal tree removal are necessary to complete the grading required for the trail pavement.

An elevated bicycle/pedestrian bridge is being designed for the trail over Rock Road as part of this project.

See Site Details Exhibit “B” for preliminary bridge elevation.

SELECTION PROCESS
The project Selection Committee will select a shortlist for artists’ interviews based on eligibility, submitted qualifications, the demonstrated ability to produce quality art in public spaces, and the criteria included in this RFQ.

Interviews for the short-listed artists will provide an opportunity for the Selection Committee to meet the artists, discuss the project’s potential, and ask and answer questions. After the interviews, the Selection Committee will determine the final approval of an artist.

The successful artist or artist team will work with the city’s design team, including engineers and landscape architects, before and during the development of the artist’s proposal. This collaborative process will allow for input and refinement throughout design development and will allow the design team to provide creative site solutions within their scope of work that is influenced by the selected artist’s proposal. There will be an in-person design charrette with the selected artist and the artist will be expected to provide regular updates on their progress through the fabrication and installation process.

Benesch (Civil Engineering) is the prime consultant leading the design process in collaboration with the City of Wichita. Landworks Studio (Landscape Architecture) is part of the design team and is facilitating the selection process on behalf of the City of Wichita. The artist or artist team will contract with Benesch for design and general contracting for fabrication and installation.

CRITERIA FOR REVIEW OF QUALIFICATIONS
Artistic excellence: What is the quality of the artist’s work and their compatibility with the project?

Goals: Does the artist’s body of work demonstrate an ability to create an artwork that responds to the project’s goals?

Approach: How well does the artist communicate their understanding of the project? Does the artist demonstrate experience working collaboratively with a larger design team?

Capabilities: Does the artist have sufficient experience to be able to design, fabricate, and install the artwork on time and budget?

CRITERIA FOR REVIEW OF INTERVIEWS
Artistic excellence: Does the artist communicate artistic excellence, high quality, innovation, creativity, and clarity of vision?

Goals: Does the artist demonstrate an understanding of the opportunities as presented in this Call to Artists?

Approach: Does the artist have an approach that provides exploration within a larger design team to maximize a project’s opportunities in all scopes of work?

Capabilities: Does the artist communicate well with both creative and technical professionals? Does the artist demonstrate the ability to deliver a successful process and final product, including a sound work plan for the artwork, with appropriate and quality materials, on time and budget?

GOALS, CRITERIA AND CONSIDERATIONS
1. Commission an artist or collaborative to conceptualize, create, and implement artistic features to improve the experience for and engage the users of this segment of Redbud Trail.
2. The artwork should be appropriate for the character of the corridor with some consideration given to already existing art elements at trailheads and trails. Artist(s) should create relevant works that further the sense of place, inspire, create dialogue, and enhance the experience of this place.
3. Artwork should respond to site conditions and context: including scale of work, materiality, site lines, and adjacent residential and commercial functions.
4. Artwork shall be vandal-resistant and graffiti removal treatments/coatings, where appropriate.
5. Artwork incorporating steel material must comply with “Buy America and Build America” criteria. See https://www.transit.dot.gov/buyamerica for more information.
6. Celebrate the role that art and artists play in our community and in our economy.

THEMING OPTIONS
The design team has developed three themes for exploration for the development of art applications. These themes are relevant to the site context and to the scope of the project itself.
1) Redbud Tree
2) Process/Motion
3) Connectedness

See Site Details Exhibit “C” for additional information and images related to the concepts.

ARTWORK OPPORTUNITIES
While there are many applications for art integration, the design team has identified some possibilities. This list is not intended to be exclusive of other ideas but is a practical list of known infrastructure included in the scope of the project.
1. Custom Trail Amenities
a. Shade Structures
2. Rock Road Overpass
a. Ramp/Ped Bridge Handrail
b. MSE Wall form liner/mural
c. Trail Surface Applications
3. Monuments/Environmental Art
a. Along the trail segments
i. Open Spaces
ii. Small bridge structures/railings
b. At intersections
c. At pause points

BUDGET
Total Project: $300,000
The total artwork commissions will be $300,000, inclusive of all costs and fees for the artist to execute the project from design through structural engineering, fabrication, site preparation, transportation, delivery to the site, and installation. The artist will be required to provide all mounting hardware for integration into any footings/pedestals.

TIMELINE
RFQ open via CAFE̒ online application system: April 5, 2024
Artists Questions Due April 26, 2024, at 11:59 PM CDT
Submission Deadline: May 1, 2024
Notification of Finalists: May 10, 2024
Interviews for Finalists: May 13-17, 2024
Final Artist Selection: June 4, 2024
Contract: Approximately 6 weeks following selection
In-person Design Charrette: Week of July 8th. Selected date TBD.
Presentations to Design Council (minimum of 2 presentations)
Final Designs after approval of the Design Council: Summer 2025
Installation: Construction of the project is anticipated to begin in the Fall of 2025.
Completion: Approximately end of 2026.

HOW TO APPLY
Application is available via Cafe̒.

QUESTIONS
All questions should be emailed to Carisa McMullen ([email protected]) by APRIL 26, 2024, 11:59 PM CDT.

Application Requirements
Please submit the following information:
1. Artist name (or names of team members if applying as a team), phone number, and email address.
2. Website and/or applicable links.
3. Brief written description of your project approach and intention to create relevant work befitting the character of the site, with consideration given to relevant contextual factors (500 words or less).
4. Three references
5. Five to seven images of relevant examples of past work. Images should represent the artist’s style, medium, and breadth of work. Please include a brief description of the work, size, location (City/State), media, and budget.
6. Resume (maximum of 2 pages / per each team member)

Fusion Art invites submissions for the 8th Annual Colors art competition for an online exhibition during the month of May 2024.

For this competition, both 2D and 3D artists, worldwide, are invited to submit their best art and photography using a concentration of colors. One color or a multitude of colors meets the criteria for this competition.

This is an international open (no theme) competition so any subject matter and any media are acceptable. All artists, regardless of location or experience, are encouraged to submit their best representational and/or abstract work in any medium.

Choice of a cash prize or complimentary one-year membership to Fusion Art's Members Gallery for Best in Show winners.

Winners and finalists are provided with extensive worldwide publicity and promotion.

Please visit https://www.fusionartps.com/8th-annual-colors-art-competition-2024/ for full competition guidelines and to submit.

The deadline to enter is May 1, 2024.

About Fusion Art
Founded by Award winning artist, Chris and Valerie Hoffman, Fusion Art was envisioned and formed out of a passion for art and the artists who create it. The website promotes and connects new, emerging and established artists with collectors and art enthusiasts, while offering the opportunity to participate in art competitions, exhibitions and experiences.

The Living Summer School (LSS) is a yearly week-long educational program promoting social and territorial innovation in and around the city of Kortrijk, Flanders. Young creatives, designers, and entrepreneurs collaborate with a network of local partners and experts. Together, they envision social impact concepts and design prototypes addressing relevant local territorial challenges. Within a week the participants create innovative prototypes, service blueprints, and concrete social interventions.

Applicants must be younger than 30 years old at the time of the application. We welcome applications from all levels of professional and academic experience and any field of study (architecture, art, urban planning, biology, sociology, engineering, environmental studies etc.)

Join artist, Diana Buitrago, for a three-day intensive in-person landscape painting workshop. Explore the complexities of the plein air sketch by painting directly from nature.

Individuals can choose to paint either small sketches of different elements of the surrounding landscape or develop a multi-day, plein-air painting step by step. In order to understand and evoke the light effects outdoors, Diana will explain both the logical and practical tools available to the painter.

The workshop will focus on the elements and theory of planes based on John F. Carlson’s book; a crucial analysis for understanding the subsequential value organization of the landscape. The workshop will discuss composition, value, shape, design, drawing, color, atmospheric perspective and painting techniques. Diana will discuss how, why, and where to begin as she demonstrates the process of applying the paint from back to front. She will also review best practices, including materials, set-up options for working en plein-air and traveling with your painting materials. Diana will paint alongside the group and provide rounds of individual critiques.

This workshop welcomes all levels of experience.

In the event of rain, we will contact the students with an update, but we may still paint on location from a sheltered/covered spot. If the rain/storm is too extreme, we may delay the start time or decide to paint indoors at a location TBD to work on paintings based on our plein-air sketches or from master copies.

The City of Napa, CA is seeking up to 10 temporary installations for the eighth Napa Art Walk outdoor art exhibit.

SPONSOR: City of Napa
LOCATION: Downtown Napa, California
EXHIBITION TIMELINE: September 2024 – August 2026
ELIGIBILITY: This opportunity is open to established professional artists residing or working in the United States age 18 and older. All submissions must be previously completed artworks. No artwork proposals for yet-to-be-created art will be accepted.
ARTIST HONORARIUM: $3,000 to cover any associated travel and installation costs.
APPLICATION DEADLINE: All entries to be submitted via CaFE via MIDNIGHT, Pacific Standard Time, on or before May, 1 2024

A) PROGRAM GOALS AND INFORMATION

The Napa Art Walk is a curated walking tour program that showcases regularly rotating installation art throughout downtown Napa, California. This program is designed to enhance the local environment and promote the understanding and enjoyment of public art by inviting artists to temporarily exhibit select works in downtown Napa. The first Art Walk launched in 2009, and collections rotate every two years; the 2024-2026 exhibition will be the eighth rotation in this program.

NAPA ART WALK GOALS

Create exciting, appealing and harmonious public environments by integrating outdoor art into public spaces;
Showcase public art that celebrates Napa’s historical, socio-cultural and aesthetic values;
Preserve and enrich Napa’s cultural environment;
Enhance the character of Napa through visibility of community-valued artworks;
Promote public participation and interaction with artists and artwork; and
Stimulate the downtown economy through increased pedestrian activity and positioning Napa as an art destination.
OUTREACH

The previous seven Napa Art Walk exhibits are exceeding these goals. In addition to successfully generating regional and national media coverage, and tours facilitated by local groups and tourism alike regularly explore the Art Walk.

To enhance the usability and visibility of Napa Art Walk, the City has partnered with Otocast, a mobile app program which provides information about each of these pieces and the artists, (Voices of Napa Art Walk Artists). The Otocast app may be downloaded on any smart phone to find “Napa, CA Napa Art Walk” and hear about the art and surrounding points of interest in the current exhibit. Images of the artworks, a printable brochure and map, and links to the audio tours from current and past exhibitions may be found at Napa Art Walk.

VISION: Climate Action and Sustainability

All pieces submitted for the 8th Napa Art Walk should integrate and embody a work centered around the theme Climate Action and Sustainability. The artwork should embody concepts related to climate change and environmental sustainability or be made from recycled materials.

It is important for public artwork in Napa’s urban center to offer a source of inspiration and pride for tourists and the community alike, as the valley navigates consistent growth and revitalization. It is important that we inspire, invigorate, and encourage new ideas that serve as a catalyst for creativity.

Artists shall provide a short written statement (up to 150 words) as part of their submittal explaining how their piece addresses and illustrates the theme.

EXHIBITION LENGTH

Artworks will remain on view for a period of approximately two years (October 2024 – October 2026).

ADVERTISING AND PUBLIC RELATIONS

Printed and downloadable brochures with a map of art locations enable self-guided viewing of the exhibition, and volunteer docents lead Napa Art Walk tours. The pieces are on display 24 hours a day, though viewing of some may be restricted to daylight.

The following will be also provided to increase public awareness of this exhibition:

Grand Opening reception / Meet and Greet with the Artists
Media releases
Printed and downloadable brochures
Napa Art Walk Website
The “DoNapa” website, social media and blog postings (www.donapa.com)
Features on the City of Napa (www.cityofnapa.org), Arts Council Napa Valley (www.artscouncilnapavalley.org)
Calendar listings
Docent-led tours
Inclusion in media and school tours
Artwork plaques

THE NAPA ART WALK ROUTE

All sites are a brief distance from one another in downtown Napa, and several are on or near popular visitor destinations. Busy pedestrian walkways, bridges, the riverfront, and plazas serve as accommodating and attractive sites that elevate the artwork while simultaneously integrating it into the cityscape. The route is not limited to walking, but strollers, wheelchairs, bicycles and any other necessary assistance can be easily accommodated. The route may be enjoyed as a loop or customized by the individual viewer(s) to meet specific preferences and/or logistical restraints.

SITE SPECIFICATIONS

Generally, Napa Art Walk sculptures are mounted to concrete pads and secured by bolts or brackets. There are a variety of pad sizes used in the current exhibition:

Large Square: 12” high x 60” long x 60” wide
Medium Square: 12” high x 48” long x 48” wide
Large Rectangular: 12” high x 96” long x 36” wide
Medium Rectangular: 12” high x 65” long x 36” wide
Round: 16” high x 30” diameter
Each submitted artwork should indicate a proposed size and dimension for a pad from the list above, as well as the method for securing it. Ideally, there should be no more than 4 bolts necessary to secure the art, and bolt locations should fit within the perimeter of each pad.

The City reserves the right to change an entry’s pad size specification if another is more appropriate.

If your work is too large for a pad or requires another way of mounting please specify these details. An installation template must be provided for artwork approval.

The City will determine the location of each artwork based on its size and dimension for the designated space, as well as setting and other factors. No location changes will be permitted once the final sites have been selected.

Any projections beyond the perimeter width of the concrete pad must occur at heights no lower than 7 feet from the ground to avoid pedestrian conflicts.

Artists will be responsible for bringing all hardware necessary to secure the piece to the concrete pad, including bolts, brackets, etc. as well as a hammer drill equipped with bits to accommodate the piece if utilizes atypical size brackets or bolts. The artist will be responsible for any necessary hardware purchases prior to the scheduled installation.

Artworks must weigh no more than 2000 pounds. If necessary, City staff will provide a crane to position a sculpture.

Upon installation of the artwork, the artist or artist representative must remove and store or dispose of all packing and crating materials.

A plaque with the artist name, studio location/home, sculpture information, and map number will be provided and installed by the City upon installation of the art work.

ARTIST HONORARIUM

Each selected artist will receive an Artist Honorarium of $3,000 to assist with transportation, travel and other expenses; $2,000 will be paid upon artwork installation in 2024 and $1,000 paid upon artwork deinstallation.

B) AREA DESCRIPTION

The City of Napa is in the heart of Napa Valley, a world-class winegrowing region and travel destination. Located along the banks of the Napa River, Downtown Napa is emerging from its origins as a civic district to a vibrant hub of beautiful hotels, charming inns, exceptional culinary establishments and wine-tasting rooms, all enhanced by the arts, parks and entertainment.

Downtown Napa boasts over 80 restaurants, 35 wine tasting rooms and bars, and over 20 exciting live performance venues. Napa is a popular year-round destination for visitors from the region and all over the world. Over three million visitors travel to Napa Valley every year, with nearly two-thirds staying in Downtown Napa’s 23 luxury hotels and B&B Inns. A portion of First Street is currently under construction as part of a major retail shopping center renovation called “First Street Napa”, which includes The Archer Hotel, Charlie Palmer Steakhouse Restaurant, a mix of retail shops and cafes, and inviting outdoor spaces.

C) SUBMISSION REQUIREMENTS & SELECTION INFO

ARTIST ELIGIBILITY

Applicants must be established professional artists currently living or working in the United States. They must be at least 18 years of age. Napa Art Walk jurors, City employees and their immediate family members are ineligible.

ARTIST RESPONSIBILITIES

Artists will be responsible to deliver the selected artwork to the site and install the artwork in September 2024 and deinstall in August 2026, by appointment, to be coordinated with the City of Napa. Although the artist will be the primary installer and will direct the installation, the City of Napa will provide staff for installation assistance and equipment (if needed) in accordance with the artist’s Art Installation Plan. Artists must provide any and all hardware that is required for the installation, including bolts, brackets, hammer drills, cleaning brushes, etc. Artists will be responsible to pick up their artwork within 30 days of the exhibition’s closing date, to be coordinated with the City. Although the artist is the primary de-installer during de-installation, the City of Napa will provide staff assistance and equipment to de-install artworks if required.

Selected artists must enter into an agreement with the City of Napa. Artists are encouraged to carry insurance to cover potential damage to their artwork.

Artworks must be structurally safe for the general public, including children. Artworks must be extremely durable in outdoor conditions and maintenance-free for the period of the exhibition. If, however, occasional cleaning or other mai...

In 2021 Susan Eley Fine Art devoted its summer exhibitions to celebrating art students amidst the challenges of virtual learning. New Voices for the Twenties- Part I and Part II were exciting group shows that congratulated young artists on the completion of their schooling with an exhibition in NYC. For summer 2024 we want to revisit this theme with a student show. For this exhibition, SEFA is looking for paintings by students graduating from BFA and MFA programs in the Tri State area. Please see below for submission details and qualifications.

SUBMISSION GUIDELINES

Students must be graduating from the 2024 class at a Tri State area (New York, New Jersey, Connecticut) school receiving a BFA or MFA.

Submission through email.

The Department of Art at Pittsburg State University welcomes Solo and Group Exhibition Proposals for the 2024-2025 academic year. Pittsburg State University Department of Art, located in Porter Hall has two galleries, University Gallery and Harry Krug Gallery.

The Coral Reef Encounter invites artists and crafters to create Coral Critters: three dimensional, fanciful fish and/or coral inspired by the beauty of a healthy coral reef. Your piece of art will be displayed prominently underwater in the Reef on June 22 and 23, 2024 at the Jeffers Hill pool in Columbia, Maryland and will be eligible for prizes.

Cleveland Arts Prize promotes creativity in Northeast Ohio by honoring artists for artistic excellence and recognizes community leaders who help regional arts flourish. Cleveland Arts Prize (CAP) was established by the Women’s City Club in 1960, and continues today as the nation’s oldest municipal arts award and an ongoing platform for celebrating Northeast Ohio’s exceptional arts community. In its earliest years, the group commissioned the Arts Prize medal, launched a scholarship program and established an endowment that secured the annual awarding of prizes.
Discipline Awards

Applications are accepted March 1 - May 1.

Discipline awards are application based only. If you would like to nominate an artist please complete this form. Your nominee will be notified and sent the link to complete the application. Nominations do not have an effect on their application and are not seen by the jurors. Nominations must be submitted by April 1st in order to give the nominee adequate time to complete the application.

Discipline Prize Criteria:

A body of original work that consistently exemplifies the highest level of artistic excellence as shown by but not limited to:

Mastery of traditional skill and willingness to challenge status quo
Awareness and/or acknowledgment of contemporary and/or changing schools of thought respective to discipline
High level of continuity between artist statement and work
Regional, national and/or international recognition*
Contributions to the canon of knowledge that will endure beyond the artist's life*
*These criteria will be assessed relative to career level.

Applicants will be placed into career levels based on the following requirements:

Emerging Artist Award: Candidate is currently living in Northeast Ohio and has created significant work or projects and shows remarkable promise for further development of their artistic careers.

Mid-Career Artist Award: Candidate is currently residing or has previously resided in Northeast Ohio and whose work has received both regional and national recognition.

Lifetime Achievement Award: Candidate has worked in Northeast Ohio over a period of decades and whose artistic achievements have brought distinction to the artist individually and to the region as a whole.

Past Arts Prize winners are not eligible to win a prize in the same category more than once.

Lillstreet Art Center offers year-long residencies in the departments of Ceramics and Metalsmithing, and 9-Month residencies in Textiles, Drawing & Painting, and Printmaking & Book Arts beginning in September every year.

As a collaborative, community-based art center, the residency is a place for artists to expand their personal practice and gain teaching experience ; while learning how to sustain a working artist’s lifestyle. The resident artist program enriches our community by bringing artists with unique and refined skills to our educational programming through classes, workshops, public demonstrations and studio hours.

As a resident artist, you will continue to develop professionally and intellectually through contact with other residents, department peers, art administrators and students. Lillstreet Art Center supplements the residency with resources and instruction in and outside the department of residency. Resident artists have the opportunity to work together, take part in community events and sales and to be creative leaders in Chicago’s vibrant Ravenswood neighborhood while being immersed in the community.

Our AiR specific programming is built for face-time with artists, students and vendors in the Ravenswood community; other opportunities include artist features in the gallery shop, professional development through dynamic exhibitions, one-on-one studio visits with peers and interdisciplinary artists, public programs, and community building to develop a sustainable creative practice. As a professional working and teaching artist, you are also welcome to brainstorm your ideas, share resources with our students and community and build relationships by resource sharing.

Proficiency within your field of art, along with teaching experience are the most important factors we consider for the Artist-in-Residence Program. BFA or MFA encouraged. Equivalent experience (residencies, workshops, apprenticeships, internships, or other non-traditional education experiences) are also considered.

Lillstreet Art Center residencies are granted based on quality of work, programming within the departments, your desire to teach, how you fit into the community art education world, and experience.

International artists may apply but you must already have a visa that allows you to work. Artists-in-Residence are employees of Lillstreet Art Center  and must be able to receive pay for their stipends and teaching compensation. We unable to sponsor visa applications.

The health of the jewelry industry depends on the continuous flow of new talent and design creativity. It is critical that new artists also hone their business skills in order to effectively manage their small businesses in today's global market. Each summer Halstead awards a grant to a new jewelry designer working primarily in silver.
The grand prize consists of $7,500 in start-up capital and $1,000 in merchandise as well as recognition in the industry. We also recognize finalists who receive a smaller cash prize and help promoting their business. The most valuable reward the winner and finalists receive is a personalized feedback report complied with notes from all of the judges.
The Halstead Grant started in 2006 and has helped many talented jewelry artists gain a foothold in this challenging field. Past winners agree that receiving the award was a turning point early in their careers when they were wavering on whether or not the jewelry studio was the right place for them. Being singled out by the grant program affirmed their choices and gave them a push to make their business dreams a reality. We hear that the money helps a little bit too!

Summary

The City of Bend in partnership with Art in Public Places (AiPP) invites professional Artists to apply for a public art commission in connection with the construction of the Public Works Campus in Bend, Oregon.

The commission is for a large-scale Sculptural Screen Wall located at the south boundary of the Public Works campus and a smaller-scale Campus Entry Sculpture located at the main entrance of campus. Both works of art should be related to one another and be a continuous idea, sharing materials and inspiration. See attached graphics package for location and size of both works of art and the general inspiration for the two sculptural elements. The project timeline is 2024-2025 and the project budget is $300,000.

The City of Bend and AIPP are dedicated to nurturing, promoting, and preserving a culture of diversity and inclusion. We actively encourage individuals from Black, Indigenous, People of Color (BIPOC) communities, persons with disabilities, women, and LGBTQIA+ artists to apply. Furthermore, we value and support the participation of local artists in this initiative.

Bend, Oregon Overview

Bend, Oregon is a mountain town surrounded by public lands. Residents and visitors are drawn to Bend for its high desert climate and varied year-round recreation. Bend has grown and flourished, truly a community with diverse backgrounds and a shared love for the place and lifestyle. Bend is home to nationally recognized breweries, Mt. Bachelor Ski Area, The High Desert Museum, Central Oregon Community College and the Oregon State University-Cascades Campus. Today, Bend is the largest Oregon city east of the Cascades Mountains with a population of just over 100,000.

Site & Project Context

The new Public Works Campus for the City of Bend will be home to five public works departments: Utilities, Transportation Mobility, Fleet Maintenance, Facilities, and Engineering & Infrastructure Planning. The 35.5-acre site will include offices, meeting spaces, storage facilities, specialized workshop areas and the City’s water lab.

The campus design is inspired by the Central Oregon context of high desert landscape, volcanic geology, and prominent mountain peaks and will blend in with the surrounding landscape while providing efficient, healthy, and durable workspaces for the public works departments. Each building embodies simplicity and timelessness in both form and material. Clad in weathering steel that will change to a deep rust color over time, the buildings complement the rich desert earth tones, volcanic rock outcroppings, and the Juniper-forested site.

The large-scale Sculptural Screen Wall will be located along the southern boundary of the site, at NE Cooley Boulevard. This work of art is intended to first be a sculptural element that runs along the public street edge of campus where vehicular and pedestrian traffic will view and experience something that may speak to what the public works campus is about or the role that the public works departments have within the city of Bend. Secondly, the sculptural screen wall will serve as a visual screen of the internal public works storage yards from public street view. While the sculptural screen wall does not need to be completely solid, it should shield the public from views into the south storage area, meeting the City’s Land Use code for that function, while sharing abstract hints to those experiencing it about public works, the local natural topography, or the history of this place through the art itself.

The smaller-scale Campus Entry Sculpture will be located near the northern boundary of the site, at NE Talus Place, near the main entrance to the campus. This work of art could be a panel from the screen wall, or a sculptural element that is similar in style and material to the screen wall that would connect both the entrance and exit to the public works campus. Artists will have the flexibility to propose a sculptural element that relates back to the south wall that could be near or part of the monument sign. There is some flexibility regarding size and location and the final location will be determined by the selected artist and design team.

The large-scale sculptural screen wall and the campus entry sculpture should speak to one another and be of the same idea and inspiration. See attached graphics package for location and size of both works of art and the general inspiration for the two sculptural elements. The artist(s) will develop the works of art in collaboration with key players on the architecture and design team at Hennebery Eddy Architects as well as the City of Bend project staff and coordination with the construction team.

Inspiration for the Sculptural Screen Wall & Campus Entry Sculptural Elements

Centering equity in the creation of art, the artist(s) are encouraged to draw inspiration from the unique and enriching contributions of the Public Works departments to the City of Bend. The work of art should resonate with both those working on campus and the public passing by the campus, embodying meaning and relevance, yet can be abstract allowing passersby to engage and bring additional depth of meaning simply by experiencing it. The art will primarily be an experience while driving by and should be understandable from that perspective. It has the potential, but is not a requirement, to convey significance and/or celebrate any of the following:

•The work undertaken by Public Works departments, including the specific tools and materials used, the tasks performed or simply the inspiration of such.

•The Native history of the location, the specific site, and its evolution over time.

•The natural environment, topography, climate, and distinctive features of Central Oregon.

By emphasizing equity in this artistic endeavor, we aim to create a piece that reflects the diverse perspectives and experiences related to the Public Works departments and the broader community.

The work of art shall be integrated into the overall design of the Public Works campus through:

•Materials, scale, language

The sculpture elements can be abstract, integrative, can change based on where it is viewed from, be discoverable, can teach or tell a story. While the project team has envisioned that the screen wall could be made from corten or rusted steel sheets or panels, pipes, or slats—similar to the material on the exterior facade of the buildings throughout the campus, the Artist has the liberty to propose other solutions they find that could work best for the screen wall.

Placement and Materials

The public will be able to enjoy the works of art at the edges of the Public Works campus during the day or evening, from both public streets at the north and south edges of campus.

The works of art for the Sculptural Screen Wall will sit on a concrete foundation that runs along the edge of campus at NE Cooley Boulevard, from the west boundary approximately 250’ feet to the east. The sculpture shall sit above grade at a maximum 15’ tall, but no less than 10’ tall and can vary in height and width as it runs the length.

A smaller Campus Entry Sculpture that relates to the larger Screen Wall will be incorporated at the north edge of campus, near the main entry of campus from NE Talus Place. Final placement and dimensions will be determined with the artist and design team.

The materials used for the Sculptural Screen Wall and Campus Entry Sculpture must be durable to weather and UV conditions in Oregon and may be made of Corten steel to align with the overall campus material palette. The works of art should be one continuous idea that continues from the south campus edge to the north campus entry.

Each Finalist will discuss proposed materials and protective finishes with our Conservator in advance of the Zoom meeting presenting their design renderings. Our Conservator will submit a preliminary report to the selection committee on the proposed materials. The Artist selected for the commission will work with our Conservator, the City of Bend and the architectural design team on any revisions to ensure the work of art is durable for an outdoor setting and materials selected are low maintenance.

Project Budgets

The maximum project budget for this commission is $300,000, including stamped engineering drawings, permitting, fabrication, subcontractors, installation, delivery, insurance and travel expenses (not including initial site visit to Bend during selection process). The footings will be designed with the Artist, and basic parameters for the footings will be provided to all Finalists for the Sculptural Screen Wall and Campus Entry Sculpture. Only Finalists will submit an itemized budget for the proposed project.

The City of Bend dedicates one percent (1%) of the total eligible costs of certain improvement projects to the selection, fabrication, installation, ongoing maintenance, community education, and documentation of public art. This project is a portion of the 1% dedicated to this Campus.

Project Timeline

· Call to Artists announced: March 26, 2024

· Application Due: May 1, 2024 (11pm PST)

· Notification of Finalists: Mid-to-Late May 2024

· Design Time and Site Visit to Bend: June to mid-July 2024

· Designer or Artist Presentation of Design Renderings via Zoom: Mid-to-Late July 2024

· Public Input Display: August 2024

· Commission Selection: Late August

· Design Team Meetings with Artist via Zoom: Fall 2024

· Installation: Summer 2025

Selection Process

Phase 1: The Selection Committee consisting of representatives from Art in Public Places, City of Bend and a local architecture firm will select two Finalists. The stipend for travel and design time is $1,750. Finalists will use the stipend for a Site Visit to Bend early in the design phase to see the site and meet key players from the AiPP C...

The Processing Foundation is thrilled to announce the open call for our 2024 Fellowship Program, themed ‘Sustaining Community: Expansion & Access.’ This year, we seek to support innovative projects from artists, designers, activists, educators, engineers, researchers, coders, collectives, and many more, who are working at the intersection of creative technology, art, and open-source software.

Our fellowship is designed to provide substantial support to individuals and groups within our community. This includes a $10,000 stipend, dedicated mentorship, skill-building workshops, public programs, and community engagement opportunities. Participation for the fellowship is entirely online and we invite applicants from around the world to apply.

Fellowships are an essential element of our foundation’s work in developing tools of community power, connection, stewardship and in nurturing the aims/needs of the people and communities who use our software. Projects can range from development of the existing software projects and related Processing projects (Processing, p5.js, Processing.py, Processing for Android, ml5.js), to creative and exploratory work for new iterations.

We are open to applicants from all backgrounds and skill levels, and support proposals that center investigations, experiments, and learning. We are attentive to proposals that demonstrate enthusiasm and the evolution of a fellow’s practice rather than their pre-existing technical skills.

Fellowship Priority Areas for 2024

This year we aim to support fellowships that respond to and meet the needs of the priority areas below. Applicants are asked to address at least one of the below, describing how their project responds to the concerns of the topic.

Archival Practices: Code & New Media:
Projects aimed at developing tools and platforms for archiving and preserving creative code/the digital, as well as new media archival practices.

Open-Source Governance:
Initiatives focused on creating governance models that promote equitable decision-making, inclusive communities, engagement, and sustainable growth in open-source projects.

Disability Justice in Creative Tech:
Tools and projects that advance access and promote disability justice within the realm of creative technology

Access & AI:
Engaging AI technologies to create accessible solutions and improve inclusivity in digital spaces.

See Fellowship Guidelines below before applying.

The application period opens Wednesday, April 1, 2024 and closes Monday, May 2, 2024 11:59pm. Selected fellows will be notified no later than the last week of May 2024. Late applications will not be accepted. Fellows will be selected by the Processing Foundation’s team, a community review committee, and our Board of Directors.

Before applying, please review our past fellowships and familiarize yourself with the scope and impact of previous projects. We encourage projects that not only meet the immediate needs of the community but also consider future sustainability and broader applicability.

Eligibility:

Open to U.S.-based and international applicants. Collective projects should have a lead applicant. Only one application per person.

If you have any questions please contact Tsige Tafasse, Program Manager, at [email protected]

Fellowship Timeline

Processing Foundation Fellows are expected to commit 200 hours to proposed projects, over the course of June 15 to October 31, 2024.

The 200 hours of the fellowship must take place during this timeline. How the 200 hours are completed is flexible and decided upon between the mentor and the fellow. For example, if a fellow wants to work 200 hours over the month of July, that is fine. Or, if they want to log a few hours per week throughout the entire fellowship period, that is also fine.

Agreement of schedules and milestone dates is to be decided upon between the Fellow and their mentor (and advisors, if applicable) by the first week of the fellowship.

Applications Open: April 1st
Fellowship Info Session #1: April 5th, 10am EST
Fellowship Info Session #2: April 20th, 7pm EST
Applications Close: May 2nd 11:59pm EST
Semi-Finalist Interviews: Week of May 15th
Fellowship Start Date: June 15th
Kickoff meeting: June 15th
Mid-point check-in: August 5th
Fellowship End Date: October 31st
Presentations & Documentation wrap up October 2024
Mentorship

Mentors are assigned to each fellow from within the Processing Foundation’s community. The role of mentors is to provide guidance (creative, technical, and professional), as well as serve as an advocate for the fellow’s work.

If a specific mentor is desired, please indicate this in the application. We can contact this mentor and ask if they’d be available.

Regular bi-monthly virtual meetings with a mentor throughout the fellowship are required.

Community

We follow the community guidelines of p5.js for our code of conduct.

At the start of the fellowship, an introductory meeting with all 2024 fellows will take place virtually. The meeting is an opportunity for this year’s cohort to meet each other and learn about each other’s work. Attendance is required.

Fellows are encouraged to build community with their cohort throughout the fellowship period in group chats like Signal, Slack, or Discord, as well as Zoom meetups. Additionally, Fellowship Program Alumni will deliver online talks and workshops with this year’s cohort. Attendance to these Alumni workshops is strongly encouraged but not required, as they are meant to create connections and support knowledge-sharing within the fellowship community. They will engage in regular cohort meetings bi-monthly, as well as town hall forums with our new partner program pr05 = “Processing Foundation Software Development Grant”; and opportunities to present their finished projects publicly.

Along with mentorship, the Foundation staff will work to provide fellows with connections to other community members who might be able to support the fellow with specific needs in the roles of advisors and consultants; we will also look for organizations and spaces that might be able to host the fellow for future events and collaborations.

Project Documentation

Progress updates via our social media, blogs, etc., are required to be posted after each bi-montly progress meeting with the fellow’s mentor.

Fellowship projects are featured on the Processing Foundation’s website, with the fellow’s bio, images, and a link to the project. These materials must be provided by the start of the fellowship and updated at the end.

Final online documentation of fellowship projects is required. Documentation can take many forms—a GitHub repository, a series of video tutorials, a website, etc. We are open to what fits best for the work, in terms of format.

Project Legacy

Fellowship projects must be open source.

Project legacy is an important component of fellowships. We encourage applicants to think about how projects may support future sustainability or archiving of the work.

This includes, but is not limited to: code commenting and reusability, documentation, prioritized to do lists / roadmaps (if there’s more to do after your fellowship is completed), laying out infrastructure that enables others to carry on, summary of discoveries for research-focused projects, etc.

Stipend

The stipend for the 2024 Fellowship is $10,000 USD. Payment of the stipend will be made in four installments: $2,500 USD paid at the start of your fellowship, and the remaining split throughout the fellowship, and remainder upon its completion. Additionally, there is a small amount of discretionary project funds for the fellowship projects.

A fellow must complete the requirements of the fellowship for the stipend to be paid in full.

About us

The Processing Foundation’s mission is to promote software literacy within the visual arts, and visual literacy within technology-related fields — and to make these fields accessible to diverse communities.

Processing Foundation is committed to diversity in its programming and in nurturing a community culture and environment that is reflective of the diversity of the US as well as the global community networks we operate within. We aspire to create a climate where diversity is an asset for creativity and innovation. We strongly encourage applicants representing a range of differences that include — but are not limited to — age, national origin, ethnicity, race, religion, ability, sexual orientation, gender and sexual identity. Processing will consider all qualified applicants with criminal histories in a manner consistent with the requirements of the San Francisco Fair Chance Ordinance and New York City Fair Chance Act.

CALL FOR ARTISTS

The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are thrilled to announce the 39th Annual All-Media Juried Art Exhibition. Artists of all ages and experience levels from around the Antelope Valley and the greater 5th Supervisorial District of Los Angeles County are welcome to participate. The exhibition will celebrate participating artists with a reception on Saturday, June 1 from 4 PM to 6 PM. The awards ceremony will begin at 6 PM in Cedar Hall, where over $1,000 will be awarded to participants by the Lancaster Museum and Public Art Foundation and various small businesses, community organizations, public officials, and other sponsors. The exhibition will run from Saturday, June 1 to Saturday, July 20, 2024.

ONLINE SUBMISSION OPENING
Monday, April 1 at 10 AM PST

ONLINE SUBMISSION DEADLINE
Friday, May 3 at 10:59 PM PST (don’t wait until the last minute)

OPENING RECEPTION
Saturday, June 1 at 4 PM- 6 PM

SUBMITTAL

This year, MOAH and MOAH:CEDAR will only be accepting entries online through callforentry.org (CaFE). Artists must create a free account with CaFE in order to submit their work. To create an account, please click on "Artist Sign Up" in the upper right hand corner of the CaFE website. Once their account has been created, artists will be able to search for our call "39th All-Media Juried Arts Exhibition." Artist may then upload high resolution images of their work, video or audio files to CaFE and pay all applicable fees. There are two age categories for applicants: 17 and under / 18 and above.

AWARDS

Cash awards will total over $1,000. Jurors will select the Best of Exhibition, 2nd Best of Exhibition and 3rd Best of Exhibition awards donated by the Lancaster Museum & Public Art Foundation (LMPAF). Best of Exhibition winners will receive, in addition to their cash awards, the opportunity to participate in an exclusive portfolio review with MOAH's curators. As in prior years, LMPAF may choose to offer to purchase any one of the three Best of Exhibition award winners for inclusion in the Museum's permanent collection. Many other awards are also available from various community individuals, organizations, and businesses.

Visitors are also encouraged to follow the Lancaster Museum of Art & History and vote for their favorite pieces in person by taking a photograph and using the hashtag #MOAHPeoplesChoice on Instagram or submitting a paper ballot on site up until the week of closing at MOAH:CEDAR. The artworks earning the most votes will be announced at the closing on July 20th.

EXHIBITION SCHEDULE

Submission Deadline: Friday, May 3 at 10:59 PM PST
(11:59 PM MST) (don't wait until the last minute!)

Notification of Accepted Artworks: by May 9, 2024

Drop-Off Work: Friday-Sunday, May 17-18; 12PM - 5 PM

Pick up Works: Sunday, July 21, 12- 3 PM or Monday, July 22, 4 - 8 PM.

Note: You must make arrangements for either you or a representative to deliver &/or pick up work on the above dates, no exceptions.

Opening Reception (in Gallery): Saturday, June 1; 4 PM - 6PM

Award Ceremony (in Cedar Hall): Saturday, June 1; 6 PM

SELECTION PROCESS:
The jurors will select which artwork will be exhibited by careful examination of all submitted entries; including those submitted for the 17 and Under. With no exceptions, jurors have the sole responsibility for the selection of artworks. MOAH and MOAH:CEDAR reserve the right to not display work that does not meet eligibility requirements or follow the guidelines herein.

Jurors:

Marisa Caichiolo, artist and curator, Building Bridges Art Exchange. Marisa Caichiolo is an artist and curator who studied art history and curatorial studies. Her research focuses primarily on the impact of social and political changes within society. Through Cultural exchanges Caichiolo researches cultural production fluctuating between theory and practice. She is the founder of Building Bridges International Art Foundation an international non-profit organization based in Santa Monica, California. The foundation is conceived to be a platform for critical thinking, and research through local and international programs in Los Angeles including art residencies and education programs among others. She was part of the curatorial team for several international biennials, such as the Casablanca Biennale, Morocco; Sharjah Biennale, Sharjah, United Arab Emirates; and the Biennial of the Americas, Denver, Colorado She is also a board member for Bugatti Foundation, Italy; Now Art LA, Los Angeles; and the Advisory Board of the DAP Program at The Broad, Los Angeles. Caichiolo holds a PhD in art history and psychology.

Jason Jenn, artist and curator, L.A. Art Documents. Jason Jenn (he/him/they) is an interdisciplinary artist, performer, writer, director, producer, filmmaker, consultant, and curator with an educational background in intermedia art, theatre, film, and cultural administration. He is the former Curatorial Assistant for MOAH:CEDAR and Outreach Specialist for the Torrance Art Museum. He is the co-founder and producer of L.A. Art Documents, a media company providing quality video and photographic services with the mission to document, promote, and curate contemporary arts in Los Angeles and beyond. He has created over fifty theatrical shows and festival events, assisted in curating over fifty visual art exhibitions, and produced hundreds of video shorts and features.

Application Requirements
FEES

1 Entry - FREE*
Each additional Entry - $5.00
*Each applicant will be charged a $3 processing fee

PRESENTATION & DELIVERY OF WORK

The pieces chosen will be exhibited physically at MOAH:CEDAR. Please submit only if you or a representative are available for the drop off the work on the delivery dates (May 17-18) and pick up dates (July 21 & 22) for artwork. By having your work in the exhibition you agree to be responsible and commit to both delivery and pick up dates of your artwork.

Jurors make selection of work based solely on the image or video of the artwork submitted via the Call for Entry website. We encourage applicants to take the best possible pictures of the artwork. For best way to view work, place the piece on a plain white background. For 3D pieces, place on a plain white surface with a plain white background. It is best to use natural lighting, if it is not available make sure to use a bright white light without tinting. Make sure the light is not too close to the piece or it will wash it out. When taking the photo make sure to aim the camera directly at the piece without angling the camera. For 3D art make sure to take photos from different angles of your work.

If you're looking for a job and you like working with words, I'm teaching an online course in medical editing over eight Saturdays in May and June (May 4, 11, 18, 25, and June 1, 8, 15, 22), from 2 to 5 pm ET each day.

I've been a freelance medical editor for over a decade. It's been flexible, high-paying, and has supported my performance career and my family. I began this class as a favor to friends, and my students' success has kept me teaching.

If you're a meticulous reader and a clear, able writer, you'll do wonderfully. Editing experience or a background in science or medicine is a plus but not essential.

This course offers thorough instruction in copyediting, AMA style, digital markups, fact checking, and essential online tools, plus two full textbooks and an extensive course packet. You'll also receive individual feedback on your edits, a roadmap to getting started in the field, and ongoing support after the class ends.

The class costs $500 and will be capped at 15 students. Many students find work as freelancers or staff editors, and my class is recommended by editorial directors at several medical communications agencies as well as by Metroproof, a major staffing agency for editors in NYC.

Check out my website for details or email me to connect. We can also chat by phone if you like. I'm happy to help you figure out if this class is right for you!

The Fireline Fellowship invites writers, artists, and thought leaders in the humanities to become part of a thinking community that, for two and a half years, will explore issues related to wildfire at the H.J. Andrews Experimental Forest (the Andrews).

In October, 2024, fellows will meet in person with scientists and stay at the Andrews and then will meet quarterly online. Fellows will receive a stipend, opportunities to learn alongside scientists in the field, and up to four weeks of residency time at the Andrews. Fellows will develop new projects for a public audience and/or involving public engagement, and projects will be presented in collaboration with the Patricia Valian Reser Center for the Creative Arts (PRAx). Eight Fireline Fellowships will be awarded: three by invitation and five by application.

Set on the slopes of the Western Cascades, the 16,000-acre H.J. Andrews Experimental Forest is one of the most closely studied forests in the world. For 75 years, researchers have focused their attention on everything from the spread of tiny mycelial threads below ground to the old-growth trees towering above to all that lives and breathes in between. Scientific discoveries here have challenged prevalent notions about forest “management” and deepened our understanding of forests. And, over the past 20 years, writers, musicians and artists have joined the scientists in the forest as part of the Long-Term Ecological Reflections program, creating work that reflects on our relationships with forests and how that relationship changes over time.

On August 5, 2023, a lightning strike sparked a fire near Lookout Mountain in the Andrews forest. For months the Lookout Fire burned through the old growth, over study plots and up and over the ridges. Neighboring communities were evacuated for the second time in three years. In the forest, the fire blazed over creeks and turned great trees into smoldering stumps. The fire destroyed many long-term experiments, tools and equipment. By the return of the rain in October, 70% of the Andrews had experienced fire.

There are hundreds of miles of firelines in the forest now. These lines etched in the land mark what burned and what did not as wildland fire crews hacked and dug through the underbrush, feller-bunchers clipped down trees, and bulldozers scraped the old-growth moss to bare earth. Natural firelines formed with shifts in the wind, changes in topography, vegetation, or moisture, and finally, the coming of rain.

There are firelines in the scientists’ datasets too. A delineation between the pre-fire known and the post-fire unknown. And firelines radiate into our thinking and imagination. The blurry lines between grief and curiosity, nihilism and hope, and fear and awe. Lines of inquiry about what it means to recover from and live with fire. Lines of poetry, music, essays, books and art that will make meaning, reimagine limited narratives, and help us find our way in this new era of wildfire.

As both natural processes and part of socio-ecological systems bound to cultural traditions, values, habits, and imaginaries, wildland fires clear a space for re-envisioning our connections with each other and with the rest of the natural world. This fire, in a place with a deep history of long-term inquiry and interdisciplinary collaboration, offers a unique opportunity to engage with the many questions, complexities and experiences connected with wildfire.

Art Fluent invites artists worldwide to submit artwork to our online exhibit, /ˈabˌstrak(t)/.

THEME
Abstract art is like breaking the rules of traditional art- it doesn't try to show things as they are in real life. Instead, it uses colors, shapes, and lines in wild and creative ways to express feelings or ideas, often leaving interpretation open to the viewer. It's a celebration of artistic freedom and imagination. Show us /ˈabˌstrak(t)/ from your perspective.

CALENDAR
JPEGs due by Friday, May 3, 2024 at midnight MST.
Notification of acceptance and online gallery opening by Friday, May 31, 2024.

AWARDS
All accepted pieces will be displayed in our online gallery at www.art-fluent.com
Best of Show: $750
Two Director’s Choice awards: $250 each

ENTRY FEE
$25 for first entry/$10 for each additional entry. You may enter up to 20 total. Payment is non-refundable and does not guarantee acceptance. For 3D work, there is no need to pay for additional entries for detail shots. Once your first entry is made, you may send additional views by email to [email protected].

ELIGIBILITY
This call is open to artists worldwide, both amateur and professional. Work that has been selected for previous exhibits with Art Fluent will not be considered.

RULES
Work that is copied or done under the guidance of an instructor is not eligible. Open to ALL fine art mediums (oil, acrylic, watermedia, pastel, drawing, printmaking, mixed media, photography, sculpture, fiber, wood, ceramics, film/video, digital art). AI will not be accepted. Diptychs and triptychs should be uploaded as a single image.

SELECTION PROCESS
Director’s choice. Each show is curated and juried by Creative Director, Amy Matteson Neill along with an anonymous committee of jurors. Please note, there is no personal feedback given by jurors.

ENTRY PROCEDURE
Entry is done through CaFÉ, a web-based service that allows artists to upload images and organize their artwork for submissions to galleries. To apply for a call, you must leave our website and go to the CaFÉ website at www.callforentry.org where you can create a FREE artist account. You will add your details and upload your images to CaFÉ and then you can submit work to /ˈabˌstrak(t)/. If you have any questions, please contact us at [email protected] we are happy to walk you through the process.

MEDIA PREPARATION
Please only submit properly cropped images of your work that are in focus. We have a free resource for artists for tips on how to get high quality images of your work. Visit www.art-fluent.com/resources for a free download. CaFÉ also offers tips on their blog which you can find here www.callforentry.org/photographing-artwork/.
All images must be in JPEG/JPG format using CaFÉ guidelines. The image size must be 1,200 pixels or greater on the longest side. Maximum file size is 5 mb.
Accepted video formats include MOV, MP4, WMV. Aspect ratio 4:3 or 16:9, resolution minimum 640x480, maximum 1920 x1080, bit rate recommended above 240 kbps, recommended frame rate 30 fps. File size must be under 100 MB. If your video work has been selected for the exhibit, we kindly request that you provide us with the file link via Vimeo. Please ensure the linked video is set to be shared publicly. Your video will not play if it is set to private.

NOTIFICATION
Notification will be done by email, everyone who submits will be notified of the juror’s selections. If for any reason you do not hear from us by the notification date, please check the filters in your email account. Notification emails are sent to the email on file with CaFÉ.

SALES
All sales inquiries will be directed to the artist’s website and/or contact information. For any artwork that is sold, the artists receive 100% of the sale.

GIVING BACK
A portion of the proceeds from the entry fees is donated to organizations committed to the arts and supporting artists.

REQUIRED FORMS
Cash awards over $600 are subject to federal income tax withholding within the United States. A W-9 form must be filled out by the winner and submitted to Art Fluent, Inc.

REGULATIONS
By entering our calls for art through CaFÉ you are agreeing to be added to Art Fluent's email list for forthcoming artist opportunities. By submitting images, you agree that the images are your own work, nothing copied, you own all rights to the images, and you take full responsibility for the content of all images, including the likeness of recognizable individuals. The actual artwork will remain the property of the artist, our mission is to promote artists and their work. Should your work be accepted, you grant Art Fluent the right to reproduce your image on our website, on social media, and where appropriate to help promote further online opportunities. Art Fluent will always credit you and your copyright wherever feasible. We will not use your image for any other purpose without the artist’s permission.

The TCC Foundation has supported student artists at Tulsa Community College for over 30 years. The TCC Foundation Visual Art Scholarship encourages hard-working, community-conscious and goal-oriented creatives to continue with their education both within the Art Department at TCC and when they transfer to earn a Bachelor's Degree in Art.

TCC Foundation Visual Art Scholarship supports two types of awards:

TCC Art Program Award: To apply for this award, student must be a current TCC - Art Major taking Art Core-Curriculum courses. This award is for students who are not transferring to a four-year institution during or immediately after the 2023-2024 academic year. This award is $500.00. There are two $500.00 awards.
TCC Art Transfer Award: To apply for this award, student must have completed (or is near completion) the Art Core-Curriculum at TCC and plans transfer to a four-year institution during or immediately after the 2023-2024 academic year to seek a four-year degree as an Art Major. This award is $1,000.00. There is one $1,000.00 award.
The Art Department extends a sincere thank you to the TCC Foundation and School of Visual + Performing Arts for supporting our visual art students.

Application Requirements
______________________________________
application requirements
Students may apply to one of two scholarship opportunities. Each scholarships' application requirements are listed below.

1.TCC Art Program Award application (award amount: $500.00)

Section #1 - student information
student name, CWID, TCC email address, cumulative GPA, art major, core-curriculum courses completed.
Section #2 - scholarship selection
Section #3 - application questions
In 250-300 words, please reflect on the ways you have provided a positive contribution to the community within the Art Department at Tulsa Community College.
In 250-300 words, please describe your academic and professional goals.
Section #4 - artwork images
TCC Art Program Award applicants submit an image portfolio consisting of 5-7 different artworks created in any TCC Art course they have completed. Students may submit a mixture of 2D and 3D artwork.
Please submit artworks presenting the strongest example of creativity and craftsmanship.
See application for formatting specifics.
2. TCC Art Transfer Award application (award amount: $1,000.00)

Section #1 - student information
student name, CWID, TCC email address, cumulative GPA, art major, core-curriculum courses completed.
Section #2 - scholarship selection
Section #3 - application questions
TCC Art Transfer Award applicants are responsible for completing the application sections for "TCC Art Program Award" plus the additional application sections listed below:
Curriculum Vitae (CV) with professional headers following the College Art Association's Standards & Guidelines.
In 250-300 words, please reflect on the ways you have developed as an art student over the course of earning your Associate in Arts at Tulsa Community College. How will this award help further your goals as an artist or arts professional?
Proof of Transfer Documents.
Section #4 - artwork images/files
TCC Art Transfer Award applicants should submit an image portfolio consisting of 10 different artworks created in any TCC Art course they have completed. Students may submit a mixture of 2D and 3D artwork.
Please submit artworks presenting the strongest example of creativity and craftsmanship.
See application for formatting specifics.
This scholarship opportunity is FREE for Tulsa Community College Art students.

The Mathews-Sanders Sculpture Garden in Cleveland, Mississippi, is seeking an open call for 11th Biennial Outdoor Sculpture Competition for exhibition on the grounds of the Bologna Performing Arts Center on the campus of Delta State University, the Grammy Mississippi Museum, and downtown in the city of Cleveland. We anticipate selecting twelve works: eight sculptures at the BPAC, three sculptures downtown, and one sculpture at the Grammy Mississippi Museum.

The call is open to all artists and artist teams, age 18 and over, using durable materials suitable for outside elements and change in temperature that requires little to no maintenance during the display period. The call is open to sculptures of all types. Preference will be given to artworks with a musical theme at the Grammy Museum and downtown Cleveland. The Bologna Performing Arts Center presents the best in the arts and entertainment through a series of national and international multi-disciplinary performances and hosts over 200 events per year.

The work will be on exhibition from August 9, 2024 to August 9, 2026, at the end of which time a purchase award will be granted for one sculpture. The purchased sculpture will remain in the sculpture garden as part of the permanent collection.

This competition provides opportunities for regional and national artists to exhibit their work, make visible the University's commitment to and appreciation of artistic endeavors, enhance the vitality of the campus environment, and offer students first hand educational experience with sculpture. Thirty-seven pieces of sculpture have been purchased from the ten previous competitions and have been permanently placed at various locations on the Delta State campus, Grammy Mississippi Museum, and downtown Cleveland.

Application Submission

1. Artists may submit up to nine digital images of sculpture THAT WILL BE AVAILABLE FOR THE DURATION OF THE COMPETITION. Two views of each work should be submitted. High-resolution digital images are preferred with a minimum of 300 dpi saved in a jpeg format. 2. An identification sheet must accompany the digital submission and provide the following: a. Title, medium, and dimensions (h x w x d) for each submission

b. Exact Footprint dimensions

c. Purchase price for each submission

d. A statement of long-term upkeep must also be included and speak directly to the following: maintenance of surfaces, potential cost, and any equipment needed for maintenance. *A crane will be available during the installation in August. The artist will furnish any additional installation materials and will be responsible for anchoring all work during the installation.

3. Resume

4. Artist Statement

Application Requirements
Selection Criteria

1. Strong aesthetic merit and technical qualities, six to fifteen feet in height.

2. Appropriateness to the site, aesthetically and conceptually.

3. Maintainability and durability

4. Liability, based on susceptibility of the artwork to wear and vandalism and potential danger to the public.

5. Delivered work must be identical to electronic file submission.

The selection panel will be composed of art professionals from the Southeast.

Important Dates:

Entry Deadline: May 4

Notification: June 3

Installation: August 9

"The Sistas Uprising Fund" is a charity project to help marginalized artists, primarily focusing on supporting marginalized women and femme-expressing creatives this year. Initially, our first Art & Mind event in 2021 fundraised $751 for Brain Arts Org. This Boston organization uplifts “grassroots organizations and undervalued communities* by developing and implementing equitable models of engagement within the arts & culture sector.”

As Sista Creatives Rising started to develop shortly after, we brainstormed on how we could fundraise for other groups. Once Art & Mind 2023, “I Know Who I Am! Journeys of Women of Color & Femme-Expressing Creatives,” came to fruition, we decided it was time to create our fund. The goal will adjust depending on the theme of Art & Mind.
Visual Artists ONLY (USA & Canada based) will be expected to submit, via Jotform, a 2-minute video describing how this grant will help them, whether the funds will support their art directly or if it will help ease some unexpected stressors such as bills, medication costs, food costs, etc. that will allow them to continue to develop their artwork. Snippets of accepted videos will be compiled and put on our YouTube & Instagram. NO NFT OR AI ARTWORKS.

Special Service Area 61 Hyde Park (SSA 61) welcomes artists to submit their artworks for consideration to revitalize the 53rd & 55th St. viaducts in Hyde Park. SSA 61 represents the welfare of the businesses in the Hyde Park district and understands the important role the viaducts play in welcoming visitors to explore those businesses. Each selected artist will be provided a set stipend of $3,000 per panel for the use of their artwork. Selected artworks will be reproduced on vinyl on the existing panels by third party printing and installation company, Moss Inc (Moss).

About SSA 61 and the South East Chicago Commission
The South East Chicago Commission is a 501c3 nonprofit organization that works to facilitate and support economic development within the Southeast lakefront communities of Hyde Park, Kenwood, Oakland, Washington Park and Woodlawn and to foster collaboration and coordination among businesses, organizations and institutions to promote the creation of jobs, investment and economic vitality. The SECC serves as the official Service Provider for Special Service Area #61 aka Downtown Hyde Park, which comprises the 53rd and 55th Street corridors connected by Lake Park Avenue. Special Service Areas, known as Business Improvement Districts or BIDs in other cities, are local tax districts that fund expanded services and programs through a localized property tax levy within contiguous areas.

A curatorial team of three representatives from the South Side will be responsible for the artwork selection and sequence. The jurors include Monique Brinkman-Hill, Executive Director of South Side Community Art Center, Mariela Acuña, Exhibitions and Residency Manager at Hyde Park Art Center, and Ciera McKissick, Public Programs Manager at Hyde Park Art Center. Chicago Public Art Group (CPAG) will not be selecting the artists.

Project Objective:
Successful submissions will approach the site with a bold and creative vision that reflects the community's best qualities - its connectedness, diversity, culture, entertainment, and residents. The viaducts connect the east and west side of the business districts allowing the art to seamlessly encourage movement throughout. Submissions should create an attraction that acts as an entry point for visitors to experience the viaducts as a "must see" amenity. This revitalization serves to improve the safety and well-being of pedestrians, bikers, and vehicular traffic by creating a sense of place for surprising, delightful interactions, welcoming visitors and residents alike to venture through Hyde Park.

The project goals are to connect with two groups:

(1) Hyde Parkers, those who live east of the viaducts and need to walk through them to get to the restaurants and shops. The viaducts should be a joyful compliment to the local businesses and attractions that Hyde Park offers. This project is not intended to be a didactic display of South Side history.

(2) Non-South Siders, fellow Chicagoans we want to pull in to Hyde Park for entertainment, shopping and eating. The goal is to make the viaducts welcoming and inviting for everyone.

There are a total of 19 stainless steel panels: 13 on the Southside of 53rd St with most a variably standard size (8' x 12'), and one is longer (8' x 16'). The remaining 6 panels are on the Southside of 55th St: four are standard (8' x 12'), two are larger (8' x 16'). In submitting your artwork, please indicate on your annotated image list whether your artwork best fits on an 8' x 12' or an 8' x 16' panel. Due to the slight variations of each panel size, minimal cropping or image adjustments may occur at the discretion of Moss and CPAG.

Each pre-existing panel will receive a large format, high quality digital print on 3M vinyl with self adhesive backing. The prints will be produced with a matte finish, professionally applied to the panels, and covered with a graffiti resistant coating. Moss will print and install each artwork.

30 finalists will be notified and selected for their artwork submission to undergo review and approval by Moss. 19 or fewer artists will be awarded with a panel.

Timeline
The application is open from 4/5/24 - 5/5/24. Jury deliberation & Moss review will occur in May. Artist contracts will be awarded in June and artists payments will occur once artwork is print ready. Printing and installation will take place Summer 2024. The anticipated lifespan for the artwork is approximately 3 or more years.

Application Requirements
Artists should submit 3-5 artworks. These can be pre-existing or newly developed artworks. At least one submission must be convertible to all size and electronic formatting requirements described in Moss' Color Management & Art Submission Guidelines included below. In addition to the jurors' selection, artworks submitted for reproduction will be pre-approved by Moss to guarantee they meet all requirements. Artists with a connection to Hyde Park are encouraged to apply.

The artworks submitted for reproduction should provide an eclectic and pleasing aesthetic experience for passersby. Light, vibrant and bold colors are encouraged, but not required. Submissions can be digitally developed, or for existing work, can be photographed and processed digitally. Each panel will have a 10.5" explanatory text and credits on the bottom of the printed images in the same pre-existing brown color. Images of the viaducts can be found on CPAG's website project page linked above or the viaducts can be visited in person.

Phase I & II
This is a two-phase submission process. Phase I includes everything on CaFE in the "What to Submit" section below. Due 5/5/24.

(CaFE does not have the ability to accept submissions that will immediately meet Moss' Art Submission Guidelines)

In Phase II, the jurors will narrow the CaFE submissions down to 30 artworks. CPAG will ask artists to upload the selected artwork on Dropbox so it meets Moss' Art Submission Guidelines below. Artworks submitted that do not meet these guidelines cannot be considered for reproduction. Moss will conduct a review of each submission to ensure it is high resolution, reproducible and print ready. The jurors will make their decision on the final 19 artworks based on Moss' report.

What to Submit
3-5 images of your artwork. At least one of the images should be able to meet the guidelines below in Phase II. The additional artworks submitted should showcase previous experience.
Annotated Image List that clearly states which artwork is intended for this project's vinyl reproduction and what size panel it fits best: 8' x 12' or 8' x 16'. The Annotated Image List should also include the title, year, medium, size and location.
Artist Statement that describes your experience in Chicago as an artist and why you are interested in this project.
Responses to the two questions included in this call.

Info Session
We strongly encourage applicants to attend the Zoom info session

Wednesday, April 24 from 5:30 - 6:30pm CT

Please register by April 21 by emailing [email protected] with your name and "INFO SESSION" in the subject line so we can send a Zoom link.

ART SUBMISSION GUIDELINES
COLOR, SPACE AND PROFILE
• Build exclusively as CMYK color space, Coated GRACol 2006 Profile.
• Ensure that PMS colors are designated in the art files supplied.
• RBG/HEX are not acceptable for print.

COLOR MATCH OPTIONS
We match color on the physical print material. Color match options are as follows:
• Ship or pick up one 1x1' physical hard copy for an additional fee.
• Pantone SPOT colors.
• Order physical proof(s) to approve color.
• Waive color approval/Print as is.

FILE FORMATTING
• Preferred file format is AI, but high res PDFs, EPS, PSD, PSB, and INDD files are also acceptable.
• Package files to ensure links are included.
• Preferred scale is 1:10 (10%).
• Bleed standard is 3% of overall file size; minimum ¼” - maximum of 4”.
• Large scale graphics, with critical art alignment, should be supplied as a single file.

FONTS, STYLE, AND LINKS
• Flatten all transparencies.
• Outline fonts.
• Images should be between 72-150 ppi at 100% of final size depending on process. At 1:10 (10%)
scale, resolution should read 750- 1500 ppi.
• Link/embed any illustrations or graphics in the art.

STANDARD MOSS COLOR MATCHING
Color Target for Pantone Colors
Pantone colors requested are compared and matched to the 2022 Pantone Color Bridge Coated book.

Art Requirements to Ensure Accurate Color Matching
• Apply Pantone colors to the corresponding art objects before submitting art files.
• Flatten any effects or transparencies present in the art.
• Use the Coated GRACol 2006 profile.

What is D50 lighting and why is it important?
D50 lighting was established as the standard for lighting utilized to view color and prints by the International Standards Organization (ISO 3664).
Color appearance can change in different lighting. It is important to use the D50 lighting standard to minimize color variations when viewing prints.

LRPA FIRE STATIONS 7 AND 10
The City of Loveland Art in Public Places is accepting Requests for Qualifications (RFQ) for an Artist to create unique exterior works of public artwork for Fire Station 7 and Fire Station 10, located within the Loveland Fire Rescue Authority boundaries, which extend beyond Loveland City limits. There are 187 square miles and over 109,000 people served within this area. Artists may be considered for one or both projects. Below, each fire station has a detailed overview of the site.

The preferred themes and locations for the final artwork selections are outlined within this RFQ. There is a desire for artists’ interpretations as each station has its unique characteristics, offering artists innovative and creative opportunities to utilize historical objects to tell the story of rural firefighting, the wildlands and wildlife within its boundaries.

When submitting your application, Artists must state their preference for Fire Station 7, Fire Station 10 or both projects. Please note that the City is currently accepting information regarding qualifications and samples of past work. Artists should not include proposals.

OVERVIEW OF EACH SITE

Each station is described below and presents unique characteristics to their respective sites.

Fire Station 7 is located in the foothills along N. CO Road 27 near the Big Thompson Canyon. The environment surrounding the fire station includes landscaping which includes an educational walking tour of fire hardening and mitigation efforts. Following the station’s destruction during the 2013 flood, a historic fire siren was recovered from the site. Fire staff would like to incorporate the siren into a public artwork display to tell the story of how the flood impacted the community, its response to the disaster, and how the community bounced back. The siren is heavy, measuring approximately 5 x 3 feet.

The total budget for Fire Station 7 artwork is $36,800.

Fire Station 10 is located on Ronald Reagan Blvd in Johnstown and was opened in October of 2022. The community room and training center, just off the main entry, is dedicated to showcasing the history of the 140-year-old Bartholf Hose Company's antique hose cart and a photo of the company with some smaller antique equipment. There is a desire to feature visuals of firefighters in period-correct uniforms and equipment from 1883-1910. A modern equipped firefighter could also be incorporated. Artwork will be displayed indoors in front of an 8-foot-high window. It is important to the team that the artwork not only suits the interior space but is also clearly visible from the outside at night.

The total budget for Fire Station 10 artwork is $62,600.

SCOPE AND DESCRIPTION

The selected artist/artist team will be responsible for utilizing the exterior of the site to:

identify sites for integrated artwork
interpret the history and/or functions of Fire & Rescue services
interpret the site using feedback from user groups
identify ways to maximize the Art in Public Places monies by capitalizing upon existing resources and site interpretation
Finalists for this project will be provided with images and videos of the site. Several areas have been identified as key locations for public artwork; however, finalists will have the freedom to present designs for areas of their choice.

The artwork may reflect the nature environment and elements - particularly, wildlands and wildlife, which may draw elements from the 2020 Cameron Peak wildfire, which burned through an area of 208,913 acres on the Arapaho and Roosevelt National Forests in Larimer and Jackson Counties and Rocky Mountain National Park.
The unique characteristics of Fire-related duties and situations.
Strong desire for artwork that reflects the lives of fire personnel.
The artwork may be placed either on or in the building, within the visible, public areas of the site.
BUDGETS: Each project budget includes design, fabrication, insurance, installation, travel, contingency, and all incidental costs.
Project Budgets: Fire Station 7 artwork is $36,800, and Fire Station 10 artwork is $62,600; $99,400 (total) if an artist is awarded both projects.

PROJECT TIMELINE: Finalists for these projects will be expected to provide a timeline at the time of presentation. The construction for both locations has been completed and the timeline is somewhat flexible; however, a final completion date by summer 2025 is desired.

APPLICATION PROCESS: From this RFQ, up to three finalists may be selected to present design concepts for this project. Finalists will be paid an honorarium to develop and present their artwork design concepts. Please do not submit proposals to this RFQ, as those proposals will be removed from the jury process.

All applications must be submitted through the CAFÉ website at: www.callforentry.org. Incomplete applications will not be juried by the artwork selection committee. All applications must include:

a preliminary statement of approach for the project, which communicates experience with projects of similar scope and scale
a minimum of 5 images of fabricated and installed public artwork completed within the past five years that highlight your previous accomplishment(s) with installations of similar appropriate scale. No more than 2 images per project are permitted. Do not submit images of past proposals that have not been executed as your application will be removed from the jury process. Minimum: 5; Maximum: 10 images
your professional resumes for the artist(s) applying to this project specifically highlighting similar outdoor commissions and/or sculpture installations
Three professional references for artist(s) applying to this project
SELECTION CRITIERA
The primary criteria for selection:

Aesthetics: Does the artwork meet the aesthetic preferences as stated within the RFQ?
Assigned Personnel: Does the artist/artist team working on the project have the necessary skills to execute the project? Are there sufficient people with the requisite skills assigned to the project?
Has the artist/artist team completed projects of a similar scope on time and on budget?
Scope of Proposal: Does the artist/artist team demonstrate an understanding of the project objective, appropriate scale, and desired results?
Materials: Are the materials safe and durable enough for the Colorado climate (including intense sun and winds of up to 120/mph)?
Availability: Can the installation be completed within an acceptable timeframe?
JURY OVERVIEW

AIPP staff will oversee operations and administer the decisions of the jury panel.
Areas have been identified as key locations for public artwork; however, finalists will have the freedom to present designs for areas of their choice. All finalists will be provided with images of the site. After the finalists’ presentations, one artist/artist team will be awarded this project.
Each finalist shall present detailed drawings for their concept(s), and detailed narrative of their concept. Additional presentation materials that the artist feels appropriate for the jury panel’s review are highly encouraged.
A detailed budget is required of the finalists. This budget must include all expenditures in connection with the execution of the project. Before submitting a proposal, artists must ensure the project can be executed as presented.
Artwork Selection Panel: Members of the City of Loveland Visual Arts Commission (9), Fire Department (6), and Loveland residents (3) will serve as jurors for the project.
Up to three finalists may be selected to present design concepts for this project. Each artist/artist team will enter into a contract with the City.
An honorarium of $1500 will be paid to each finalist that presents their design concept(s) at a regularly scheduled Visual Arts Commission meeting. (Date: Thurs., August 1, 2024.)

FINAL COMMISSIONED ARTIST

The awarded artist/artist team will enter into a contract with the City of Loveland and will be required to carry general liability insurance of $1 million and execute the design as presented. Stamped, engineered drawings are required before acceptance and installation.

Because this artwork is considered site-specific, the awarded artist may not install a similar project or edition of this artwork within a 60-mile radius of the installation site.
Project completion date will be determined jointly by the artist, City staff, with input from the Visual Arts Commission.
The awarded artist/artist team will work closely with Cultural Services, Facilities and Fire staff throughout the project timeline to ensure project requirements are met.
All finished work shall be true to the approved maquette or drawings, design, concept, and budget, as approved by the Loveland Visual Arts Commission. The artists’ progress reports must be made as contracted.
Application Requirements
SUBMISSION REQUIREMENTS

The project is open to any professional artist residing within a 150-mile radius of Loveland, Colorado. Each application must be completed in its entirety to be considered and must include:

Current resume or curriculum vitae.
5-10 digital images representing past work completed within the last five years
A written preliminary statement, not to exceed one page, which addresses the artist’s interest in this project and a preliminary statement of approach.
3 professional references

The Florida Museum of Photographic Arts has put out a call for photographers to participate in a worldwide photography competition, sponsored by the Tampa International Airport and Visit Tampa Bay. Winners are selected by a jury knowledgeable of art and photography. Winning submissions will be notified by May 23. The top entries will be exhibited at The Tampa International Airport from June 25 - August 25. Images will be judged on originality, technical excellence, composition, overall impact, artistic merit, and as otherwise determined by the judges. For each category, three winners will be selected. An overall Best in Competition winner will be selected from all submitted photographs for a grand cash prize. Each winning submission will be printed for an exhibition at the Tampa International Airport. Note about 2024 competition: There will be NO EXTENSION to the submission deadline. All photos must be submitted by May 5, 2024.

The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS is a museum dedicated to exhibiting important photographic art as central to contemporary life and culture. FMoPA collects, preserves, and exhibits historic and contemporary works by nationally and internationally known photographic artists. FMoPA also enriches the community by operating outreach programs to educate children and adults.

Light Space & Time Online Art Gallery announces its 27th “Solo Art Series” Online Art Competition. This competition will result in an award of 4 monthly solo art exhibitions and 8 Artist Showcases.

The gallery invites online submission of all 2D and 3D art (including photography and digital art) from artists around the world for possible selection for one the Gallery’s monthly solo art exhibitions or into the gallery’s Artist Showcase.

There is No Theme for this Art Competition so any subject matter and any media are acceptable for consideration.

Open to 2D and 3D professional or amateur artists, including photography & digital art, without any geographical restrictions.

Extensive worldwide publicity & promotion, hundreds of press releases for winning artists.

The deadline to apply to the “Solo Art Series” is May 5, 2024.

For further information and to apply online to this solo art opportunity here: https://lightspacetime.art/27th-solo-art-series-2024/

About Light Space & Time Online Art Gallery
Light Space & Time Online Art Gallery conducts monthly themed online art competitions and art exhibitions for new and emerging artists on a worldwide basis. It is the gallery's intention to help today's artists to successfully market their art to a worldwide audience.

Farm Studio International Artist Residency is located in a rural community in India. Residents stay and create in a quiet art centre and beautiful environment where they can develop their artwork free from accustomed distractions. Farm Studio residency provides three types of working spaces where artists can explore their art and ideas in the rural Rajasthani environment; at the Farm Studio indoor studios, the outdoor desert and farm environments, and in Andore Village.

Here, collaboration and experimentation is encouraged. Relationships form between the artists coming from different countries and varied social, cultural, and artistic backgrounds. Many exciting exchanges and dialogues among artists take place, including scheduled artist talks, presentations, works in progress showings, etc.

Farm Studio also promotes and celebrates the local community’s artistic and cultural identity while also introducing art and culture of others’ (Indian and International guests) back to the community. This intercultural exchange broadens everyone’s experiences and fosters art appreciation.

Farm Studio International Artist Residency hosts artists from October to the end of February each year, with accommodations available for 3-6 residents at one time.

Studio Information:

Studio space, indoor & outdoor.

Accommodation Information:
Private accommodation (small hut).

Technical Information:
Artists bring their own art materials and basic tools are available at Farm Studio.

Deadline for Applications for January and February residencies in 2025 is May 5th, 2024.

Artist responsible for:

Residency Fee
Personal art materials
Travel costs
Visa
Insurance
Artists are responsible for travel, visa, materials, entertainment, food costs outside of the residency, and insurance.

Artists should arrange his/hers own insurance to cover any possible accident, loss or damage (including but not limited to health insurance and general liability insurance) during their stay in India. Farm Studio will not be liable for any loss, theft or damage and provides no insurance covering any work, equipment or materials belonging to any user.

All levels welcome, from beginners to the more advanced
Gain an understanding of oil painting fundamentals: LINE, FORM, TONE, COLOUR, COMPOSITION and EDGES
Discover how to bridge the gap between drawing and painting
Learn all about the techniques and materials of oil painting
Subjects include portraits, human figure, still life, landscapes, skyscapes and more
*All materials are provided. For all enquiries please get in touch via the contact page or by phone 07796028921. Thank you!

Learn the fundamental elements of oil painting, and discover a range of techniques in these fun and relaxed workshops. Using reference photographs you will learn how to begin and develop an oil painting to a decent standard.

A single booking gets you 2 lessons that are 1 week apart, amounting to 5 hours in total. The first lesson will focus on the underpainting, taking care to achieve a solid structure and convincing tone. The second lesson is where you will bring your paintings to life with the final layer. You will learn how to match colours accurately, refine the shapes, introduce hard and soft edges, add details, and utilize techniques like glazing and scumbling. Throughout the 2 sessions there will be an open discussion, lots of handy tips, and you can ask as many questions as you like. They’re always welcome!

Oil painting is hard, but it's also very forgiving. The marks you initially make do not need to be the marks that stay. Through the continual application and removal of paint you will discover that you are in control and, with practice, can overcome many of the difficulties we are faced with. Learning how to see and what to look for when painting from observation is perhaps the most valuable lesson, and from there we can explore an endless range of possibilities.

Call to Artists
Celebrate spring with Play Frisco Cultural Affairs as we seek out two-dimensional and three-dimensional artwork that reflects the natural world! All forms of fiber art and nature-themed art in other mediums such as landscape or wildlife-based paintings, printmaking, photography and sculpture will be considered. The exhibition will run June 5 - August 3, 2024.

Two-dimensional artworks must be framed, wired, and ready to hang. Artworks may not be larger than 72” in any direction. The Frisco Discovery Center is a place for all ages and artworks must be unifying, community-centric and family-friendly.

Notification of acceptance: Tuesday, 5/21/24 or earlier

Load-In: Sunday, 6/2/24 between 2PM-4PM at Frisco Discovery Center, 8004 N. Dallas Pkwy, Frisco, TX 75034 in the Grand Gallery

Public Reception: Friday, 6/14/24 from 6PM-8PM with awards announced at 7:15PM. Light refreshments served.

Load-Out: Sunday, 8/4/24 from 12PM-2PM

Questions? Call 972-292-6532 or email Stephen at [email protected]

Application Requirements
It is free for eligible artists to submit images of up to five (5) artworks.

If selected for the exhibition, a $30 entry fee is due by check or credit card prior to load-in, along with a signed gallery guidelines document and artwork loan agreement available upon acceptance.

Submit jpg images of your work by 5/6/24 and include your name and email address, along with the title, medium, and dimensions of each piece being submitted.

Open to all artists 18 years and older. Watercolor, acrylic and gouache mediums on paper, synthetic paper, wrapped canvas, or cradled wood panel are eligible. The San Diego Watercolor Society Exhibition runs from 9/29 – 10/31, 2024. Juror is Ratindra Das, AWS, TWSA. $20,000 in awards, $5,000 First Prize. Paintings will be for sale both in our Gallery and Online! For Prospectus go to www.sdws.org. For questions, please contact [email protected].

A Public Outdoor Sculpture Competition

Sponsored by: City of Sandy Springs in partnership with Art Sandy Springs

For more information, contact: [email protected]

Location: Sandy Springs, Georgia (North Metro Atlanta area)
Honoraria:$1,500 to each of nine selected artists
Eligibility: Open to local, regional and national artists
Application Deadline: Friday, May 6, 2024 11:59 PM MST
Sculpture Installation: August 12 – 16, 2024
Public Unveiling Event: Date to be determined, 2024
This public sculpture competition was created to bring fine art to the parks and public spaces throughout the city of Sandy Springs, the second largest city in the metropolitan Atlanta area. Nine sculptures will be prominently displayed around the four-acre green at City Springs, the City’s town center. One or more sculptures from each competition will be purchased by the City to be permanently placed in public locations around Sandy Springs.

To view the current year’s finalists on exhibit please go to www.sandyspringsga.gov/art-walk

Benefits:

A $1,500 honorarium will be awarded for each sculpture selected for the exhibition. Should a sculpture be purchased, the honorarium will be applied to the purchase price.
Sculptures will be on display in the city’s four-acre City Green, the heart of the City Springs complex.
Sandy Springs will purchase one or more sculptures for permanent installation within the city.
All sculptures will be for sale and will be promoted as such.
A City of the Arts – and a great place for artists to showcase their work

Sandy Springs is home to more than 100,000 residents and is Georgia’s seventh-largest City. The City’s name is derived from an actual spring within the city, and Sandy Springs does not disappoint with its beautiful surroundings. The City is bordered by the Chattahoochee River and has developed a network of award-winning parks, including Morgan Falls Overlook Park and the Abernathy Greenway Park, known for its playable art park.

Sandy Springs exudes a suburban/rural feel with its serene rivers and pristine parks juxtaposed with premier dining and a thriving business community. Many of the Fortune 500 companies which call the metro area home are in Sandy Springs, including UPS, WestRock, Newell Brands, and Intercontinental Exchange, the parent company of the New York Stock Exchange. This balance of business and amenities is attractive to both older and younger generations, with most of the City’s population under age 50.

The City of Sandy Springs is relatively young, incorporating in 2005. From the start, city leaders have prioritized incorporating arts within the City’s brand. Soon after incorporation, Art Sandy Springs (ArtSS), a nonprofit volunteer organization, was founded and launched Arts in the Open, establishing the foundation for building the City’s visual arts program. The organization’s first outdoor sculpture competition was held in 2008, attracting more than ten national and international submissions, with four permanent works purchased with private funds, catalyzing the City’s public art collection. In 2014, through the efforts of ArtSS, the Playable Art Park opened to national praise with six mega sculptures built by artists for kids to play on and interact with, becoming a popular regional destination for children of all ages.

In May 2018, the City opened City Springs, a walkable, multi-use complex including a 1,100 seat performance theatre, studio theatre, conference center, and four-acre City Green. City Springs was envisioned as a gathering place for the community and has filled that vision with its theatre and musical performances as well as becoming home to iconic community events, including the City’s annual Stars and Stripes Fireworks and Sparkle Sandy Springs Parade in addition to the Farmer’s Market and City Green Live Concert Series. The City Green anchors the outdoor stage and is the center point for City Springs.

In 2019, in partnership with ARTSS, the City launched the Arts in the Open Sculpture Competition at City Springs. The competition not only provides a showcase at City Springs, but the selection of pieces from each round has also transformed green spaces throughout the City into mini urban outdoor galleries.

Working in partnership with the City of Sandy Springs, Art Sandy Springs manages the competition, including the Call for Entries (CFE), evaluation and jurying of submissions, and the installation of selected sculptures.

Promotion

Sculptures will be installed on the City Green, the site of popular city activities, such as the Sandy Springs Festival, City Springs Live concert series, Movies By Moonlight series, and the Food That Rocks festival. Audiences at the 1,100-seat Byers Theatre and 350-seat Studio Theatre are steps away from the showcased sculptures.

Artists will be featured on four separate websites:
City of Sandy Springs – www.sandyspringsga.gov
City Springs – www.citysprings.com
Sandy Springs Hospitality and Tourism – www.visitsandysprings.org
Art Sandy Springs – www.artsandysprings.org
Sculptures will be showcased through the social media sites of the Sandy Springs organizations listed above.
Sculpture and artist information are shared with editorial media for additional exposure.
Artists and sculptures will be featured in the City of Sandy Springs e-newsletter.
Visit Sandy Springs, the City’s tourism agency, will promote the sculptures in their own marketing materials as well as in the marketing materials such as the Atlanta Metro Travel Association co-op marketing program, which is comprised of fifteen municipalities in and around Atlanta, and the Georgia 400 Hospitality Highway.
Each sculpture will feature a plaque with the name of the artist and the title of the work.
Daily foot traffic among the sculptures will include individuals visiting Sandy Springs City Hall for business and civic purposes as well as thousands of patrons of the Sandy Springs Performing Arts Center, community events, restaurants, and retail establishments.
Artists whose work are selected for exhibit acknowledge that the City of Sandy Springs, Visit Sandy Springs, Sandy Springs Performing Arts Center, and Art Sandy Springs may use photographs and videos of the artwork to promote the City’s public arts program as well as encourage visitations to Sandy Springs. Arts Sandy Springs will invite the artists to be interviewed and videotaped for possible use on community websites, apps, and in marketing materials that may include but are not limited to:

www.sandyspringsga.gov
www.citysprings.com
www.visitsandysprings.org
www.artsandysprings.org
2024-2025 Exhibition Guidelines

There is no fee for entry.
Artists may submit up to 3 individual sculptures for consideration. ***Each sculpture entry must be submitted INDIVIDUALLY / One Sculpture per Application***
All submissions must be made electronically through CaFE.org and should include a full description of the artwork with a minimum of three (3) photo images (front, side, and back views), an artist’s statement and artist bio. There is no fee to register as an artist through CaFE.org. https://www.callforentry.org/artist-help-cafe/
All artwork shall be the property of the artist submitting the entry.
Artists will receive a $1,500 honorarium for each piece selected for exhibition. If piece is purchased, the honorarium will be applied toward the purchase price.
All entries shall be existing works, completed prior to submission. No incomplete artwork will be considered.
Artwork shall be suitable for outdoor public display and be of high artistic quality as well as safe for an active pedestrian environment and appropriate for viewers of all ages.
Artwork must require only minimal maintenance, if any, and be able to withstand the effects of weather, be as resistant as possible to vandalism, and be able to withstand pedestrian contact.
Artwork shall be undamaged and unblemished. Artwork must be fabricated and finished with non-hazardous materials.
Artists are encouraged to visit the exhibition site during the application period and before the final jury decision.
Artwork will be on loan to the city of Sandy Springs during the exhibition period and may be available for sale to the public. If a sculpture sells, the artwork cannot be removed before the end of the exhibition period. There will be a 20% commission paid to Art Sandy Springs for pieces purchased by entities other than the city of Sandy Springs.
It is the artist’s responsibility to deliver and oversee installation of their sculpture and to be present for the sculpture’s removal at the end of the exhibition. Artwork cannot be shipped as there is no available storage space or staff available for this purpose.
The City of Sandy Springs and Art Sandy Springs reserve the right to reject work that is not the same artwork as was selected in response to this CFE. Artwork may also be rejected if it does not meet call requirements.
All artwork shall be structurally able to be secured to a concrete pad with anchor bolts. Concrete pads are provided for the display of each sculpture. The anchoring method will be approved by the city engineer. For selected artwork, each artist will be required to submit detailed information relating to the proposed anchoring method and provide any and all mounting bolts and hardware. Attachment B provides diagrams with location, dimensions, and weight capacity.
No artwork shall be exhibited without the artist and the city executing a document acknowledging that the artwork has been installed properly and satisfactorily and that the city accepts responsibility for the artwork from the time it is properly installed to the time it is de-installed.
No artwork shall be exhibited without the city of Sandy Springs first having obtained an Artist Agreement executed by each artist selected for exhibition in the competition.
During the exhibition period, the city of San...

Each year, we choose up to 10 rising stars to compete for our $5,000 Rising Star Award. Emerging performing artists with roots in Howard County can apply to be among the finalists who will perform at our Celebration gala — with the winner voted on by the audience! The competition is open to performers, both individuals and ensembles (up to four members), ages 18-35, who live, train, work or perform regularly in Howard County or have done so in the past.

Following the finalists’ performances at the gala, the audience — including over 500 artists, arts patrons, community members and business and political leaders — casts their votes for the winner. Votes are tallied during the live event and the award winner is announced on stage! We may also give additional awards based on the amount of funding raised from the event.

Be part of the excitement!

The Howard County Arts Council established the Rising Star Award in 2003 to provide opportunities for emerging performing artists with roots in Howard County. Let us help shine a light on your talents. Submit your application to compete as one of our finalists!

Sacramento County Department of Airports Request for Qualifications and Experience (RFQ&E)
Deadline: Thursday, May 7, 2024, 4:00 p.m. PDT

The Sacramento County Department of Airports invites artists and artist teams to submit a statement of qualifications and experience for the Design, Fabrication, and Installation of Public Artworks at Sacramento International Airport (New Terminal B Parking Garage and Pedestrian Walkway Projects)

SMForward, which includes six major construction projects, represents a historic opportunity to integrate art into the traveler’s experience while reinforcing and contributing to the Sacramento region’s identity.

New quarterly award for artists who want to change the world through the way they live or the work they make. Artists working with themes of environmental and social justice from anywhere in the world are eligible to enter the award.

Inequality in the art world is rife, around 85% of artists represented by US institutions are white and many classical paintings have been found to have racist undertones or themes. Not to mention the gender pay gap, of the $196.6bn spent at auctions between 2008 and 2019, work produced by women accounted for only £4bn, a measly 2% of the total sales. What's more, in music, performing and visual arts only 22% are from working class backgrounds compared with 60% from more privileged backgrounds.

The award by conceptual artist, Amy Jackson which launched in 2023 with the first winner receiving £250 in prize money to invest in their artwork. The bursary will take place every year and will be a minimum of £250 or 50% of the artist's profits that year (whichever is higher). Artists anywhere in the world, working in any medium are eligible but they must demonstrate an interest in environmental or social justice in their work or practice.

"It’s not just about giving a voice to those otherwise unheard but trying to demonstrate by example, a new way of living and thinking about money".

The award is open to any artist, working in any medium, anywhere in the world, at any age or stage in their career. The winner will be selected based on three simple criteria:

How conceptually strong the work or artist's practice is in relation to the theme "environmental and social justice"?
How technically strong the work or artist's practice is when judged as a piece of contemporary Fine Art?
To what extent will the bursary benefit the artist and their practice.

Entry requirements are intentionally simple in order to save artists time from lengthy open call applications. Simply prepare:

Your work (up to three images)
A brief description of the work (up to 200 words)
A link to complementary images or videos (if needed to explain the series of work)
A short biography (150 words)
A short explanation how this award will benefit you or your practice

The judges 2024:

Emma Cousin
Olivia Bax
Amy Jackson

Blue Space Gallery - " Expressions of Humanity ", an international competition and virtual exhibition. Artists of all ages from around the world are invited to participate, with complete freedom in choosing their medium and style. Submissions should revolve around the central theme of " Expressions of Humanity”. Entry is free; only those artists whose submissions are chosen as finalists will be required to pay a $35 participation fee. Finalists will have their artwork showcased in the online exhibition and will advance to the final jurying round in consideration for cash prizes and the opportunity to win the grand prize of $1,000. Awards will be granted to those whose work demonstrates the greatest level of creativity and artistry.

Theme:

"Expressions of Humanity" invites artists to explore the diverse facets of the human experience through their creative interpretations. This theme celebrates the essence of what it means to be human, encouraging participants to delve into the depths of emotions, relationships, struggles, triumphs, and the intricacies of our shared existence. Whether through portraiture, abstract representations, or narrative-driven works, this competition seeks to showcase the myriad ways in which artists perceive and express the essence of humanity, fostering empathy, connection, and understanding through the universal language of art.

Curious to find out how you can master writing about your art? It is an industry-standard that artists must often provide context for their work through an artist statement for art prize applications. Join us on the 9th of May 2024 for an exclusive online masterclass designed for artists, "Crafting Compelling Art Prize Applications and Artist Statements." Hosted by Karen van Hoey Smith, Art Director, this masterclass is a valuable opportunity to gain insights from renowned panellists Karen Turner, Dubel Art Prize Finalist, and Josephine Zentner, Jackson's Art Prize winner.

Karen Turner
Karen Turner is an award-winning figure and portrait artist whose oil paintings are a commentary on the weight of expectations. Focusing on the physical body and the scrutiny to which it is commonly subjected, her paintings explore what society expects of a woman, the ways in which a woman’s shape is often considered to define her, and the impact that this has on her life and sense of self.
Karen was the winner of the VAA Professional Artist Award in 2022 and is currently one of ten finalists for The Dubel Emerging Artist of the Year Prize. She was awarded the President’s Prize by the Institute of East Anglian Artists and has been a finalist in the Beautiful Bizarre Art Prize, the Holly Bush Emerging Woman Painter Prize and the Theo Paphitis Art Prize. She exhibits with The Other Art Fair and has recently held her first solo show in London with Red Eight Gallery.
Josephine Zentner
Josephine Zentner is the Art Prize and Gallery Coordinator at Jackson's. She produces the annual international competition that attracts thousands of entries per year, resulting in two London exhibitions of shortlisted works. Being a practicing artist herself, Josephine offers first hand insight on submitting art to competitions.
Key Learning Outcomes
1. Refine Your Art Prize Applications: Learn how to craft compelling and impactful art prize applications that catch the attention of award juries and grant committees.
2. Master the Art of Writing Artist Statements: Understand the nuances of writing artist statements that effectively communicate your artistic vision, process, and unique voice.
3. Gain Insights from Industry Experts: Benefit from the experience and expertise of our esteemed panellists as they share tips, examples, and best practices from their successful art prize journeys.
Who Is This Masterclass For:
o Artists at any level of their career
o Artists who struggle to communicate the meaning behind their artwork
o Artists looking for professional opportunities
o Artists who want to know if their prize/exhibition applications are up to scratch
Registration:
Secure your spot by registering for this enriching masterclass. Premium members can enjoy this session as part of their exclusive benefits, while non-members can register for £19.99. Standard members can gain a 10% discount.
Don't miss out on this opportunity to elevate your art career and master the art of crafting compelling art prize applications and artist statements. Register now and prepare to unlock new dimensions of artistic success!
This masterclass is brought to you by the Visual Artists Association, committed to empowering artists and fostering excellence in the visual arts.

Oil Painters of America’s 2024 Salon Show of Traditional Representational Oils, July 25 - August 16, 2024, at James R. Ross Fine Art, Indianapolis, IN. Awards approximately $12,000 in cash & merchandise, including a $4,000 cash best-in-show award. The juror will be Robert Johnson OPAM. Artists eligible to compete are citizens - both natural born or otherwise - of the continent of North America who are 2024 OPA members. Submissions are accepted through 5/10/2024. The entry fee is $35 for one, $50 for two & $60 for three; only one may be accepted. Maximum size limitation 432 sq in. The acceptance list will be announced on 5/31/2024.

Radiance is a new, summer exhibition hosted by ADC Fine Art featuring artwork that evokes happiness and warmth. ADC's mission is to create beautiful corporate, healthcare, and residential environments using artwork from contemporary, living artists. The selected artists will have their work shown in our 13,000 sq. ft. mega gallery located in Cincinnati, Ohio. All mediums and styles will be exhibited including painting, sculpture, photography, glass, ceramics, mixed media, installations, and conceptual works!

Del Ray Urban Sketchers. “Working Out (St. Elmo’s)” by Cathy Messina. Usually meets second Sunday of the month outside at St. Elmo’s Coffee Pub in Del Ray. This program is FREE! Donations appreciated. Emphasizes storytelling that conveys a sense of place or a moment in time through drawings completed from direct observations. Del Ray Urban Sketchers operates on a drop-in basis and typically meets the second Sunday of each month. Bring your supplies and join us to produce still life, figure or architecture subjects in your sketchbook. Participants will spend some time putting their skills into practice and then reconvene for a review of finished works.

Bring your supplies and join us outside at the cafe to produce still life, figure, or architecture subjects in your sketchbook. Participants will spend some time putting their skills into practice and then reconvene for a review of finished works.

This program is FREE! Donations appreciated.

Established in 1988, the Arts at the Airport Foundation is an ever-growing, ever-changing showcase of Tennessee’s cultural heritage and creative talents. The terminal and surrounding facilities at Nashville International Airport were designed to incorporate rotating public art exhibitions and permanent acquisitions for the enjoyment and enrichment of its passengers, visitors, and employees.

The Flying Solo Exhibition Series is supported by the Metropolitan Nashville Airport Authority (MNAA). Each exhibit will be four months long. Artwork is expected to be framed and ready to display. Artist is responsible for delivering and picking up artwork from BNA. An honorarium is awarded to exhibiting artists ranging from $750 to $1,500. Arts related community groups as well as schools are eligible to apply in addition to individual artists.

FLYING SOLO

Part of the Arts at the Airport program, the Flying Solo Exhibition Series was developed in 1996. The 27-year-old series provides a highly visible venue for Tennessee artists, acts as an advocate for artists, and offers visitors a taste of the rich art and craft culture of our region.

EXHIBITION SPACES

There are several new exhibition spaces due to the recent BNA Vision construction/renovation projects at the Airport. There are six spaces that will accommodate two-dimensional artwork and two spaces that will exhibit three-dimensional work. Please note on your application which you will be exhibiting.

Art Cases – Artists working in three-dimensional media.

Concourse A – 3 cases, 15 ft. w x 5 ft. high x 1 ft. deep each

Located inside the International Arrivals Corridor, but visible to all of Concourse A through glass windows. Sliding glass doors make this an excellent space for smaller three-dimensional objects (only 1’ deep) as well as two-dimensional artwork.

Concourse D – 1 case, 10 ft. wide x 7 ft. high x 21 inches deep

Located on Concourse D near Gate D2. It has a sliding glass door making it an excellent space for three-dimensional objects as well as two-dimensional artwork.

Art Exhibit Walls – Artists working in two-dimensional media including photography (artwork must be framed or able to be protected by plexiglass – profile less than 4 inches including frame and molding).

A/B Waiting Area – Curved wall, 35 ft. wide x 12 ft. high, two-dimensional work only.

Concourse D – 2 Art Walls, 10 ft. wide x 7 ft. high each (1 artist)

Located on Concourse D near Gates D3 and D4. The spaces are for two-dimensional artwork only.

Level 1 Waiting Area – up to 4 spaces, 30 ft. wide x 6 ft. high each

Located on the non-secure side of the terminal on Level 1 near the International Arrivals Waiting Area. Two-dimensional artwork only.

Application Requirements
SELECTION CRITERIA

Selection criteria include the applicant’s professional qualifications, proven experience including a history and/or ability to undertake installations of a similar scope, and artistic merit as evidenced by submitted visual materials.

SELECTION COMMITTEE

The Selection Committee is comprised of members from the Arts at the Airport Board of Directors and the MNAA’s Community Affairs division.

Complete proposal submissions must include:

1. 7 Digital Images – of representative work

2. Brief Artist Statement about proposed exhibit

3. Short Bio, 1 to 2 paragraphs

4. Résumé or Curriculum Vitae, not to exceed 2 pages

5. Short Answer Questions

Please tell us about your connection to Tennessee. (i.e. "I am currently a Tennessee resident", "I lived in Tennessee for 12 years while teaching at ____ College," etc.)

Artist's Statement
Please provide a brief statement (1000-character limit).

Please include a brief one-to-two paragraph bio.

Please upload an artist resume, not to exceed two pages.

Are you applying for two dimensional or three-dimensional artwork space?

Deadline for proposals is Sunday, May 12, 2024 at 12 Midnight, Mountain Standard Time / 1:00 a.m. Central Standard Time.

There is no specific theme for this call for entry, allowing artists the freedom to explore subject matter and ideas that are meaningful to them. Artists are invited to submit works that convey the concepts behind their creations, along with an artist statement that supports their work. All still media are welcome except AI-generated images. Please submit between 3 and 20 pieces of artwork.

AWARDS and Participation Benefits

Purchase Award of $1,000*
One artist will be awarded the Purchase Award at the conclusion of this call. Please read more about the Purchase Award on our website.

The CollexArt Grand Prize of $5,000 – will identify a single artwork as the best of the year. The Grand Prize will be awarded in March of 2025. The prize will go towards the acquisition of the artwork, including if applicable, production, framing, shipping and customs costs.

$1,770 in Artist Websites Powered by FolioLink
5 artists will be awarded one-year of FolioLink artist website service which includes the option to renew at a discounted subscription rate after the first year.

CollexArt Store and a Dedicated Artist Page
Submitting artists may be invited to be featured in our Artist Profile Pages, have their work included in the CollexArt Store and in the curated Online Exhibit Space.

Artists are invited to submit original artwork for the Sculpture at the Kavanagh exhibit. The show is open to any 3-D work in any sculpture or craft medium. No paintings, photographs, or other 2-D work will be accepted.

The Hopper Prize is now accepting entries for our Spring 2024 artist grants.

We are offering grants in the amount of $3,500 (2 available) and $1,000 (4 available) to artists & photographers worldwide working in all media. In total, 6 artists will receive unrestricted cash grants totaling $11,000.

Submissions will be juried by
— Lauren Rosati, Associate Curator, The Metropolitan Museum of Art
— Maya Brooks, Assistant Curator, North Carolina Museum of Art

Our open call provides you with a direct path to get your work in front of these forward thinking exhibition makers. In addition to grants, 30 artists will be selected for a shortlist. Additional exposure is available via our online Journal as well as our Instagram feed, currently reaching an audience over 115k.

This is an international open call available to artists around the world. All visual art media is eligible.

Green & Stone, the internationally renowned art shop, opened the Gallery in 2018.

Each year, we host two open calls in search of emerging talent. The first prize of our Summer Exhibition is a fully funded solo show. Previous winners include Nneka Uzoigwe, Michael Slusakowicz and Tushar Sabale. Since exhibiting with us, these artists have soared within the artistic community.

We take pride in being many artists' first rung on the ladder of success. We are a gallery orientated towards emerging artists with incredible talent and potential. The work we exhibit is unique, contemporary and affordable. Our growing community is testimony to the success of our model. Our ambition is to create a space that will become a primary resource upon which artists, collectors, researchers, curators, and the broader artistic community might draw and benefit in the future.

Since 2018, our Summer Exhibition has grown exponentially. It is now accompanied by over £20,000 worth of prizes and a notable selection panel that changes yearly, encouraging a refreshed selection. Selection is done blindly and assessed purely on the quality of the artwork. The selection culminates with the Private View, a fantastic opening night hosted by the Gallery, which spills onto the street. This is an excellent opportunity to network with artists, curators, collectors, and art lovers. All are welcome and encouraged to join.

This year, we are excited to announce the expansion of our Gallery, which will add another room to our Summer Exhibition. This room will allow another additional 40 - 50 artworks. We are also excited to announce we will be giving the fantastic Young Artist Award, a cash prize of £3,000, which was generously donated by the de Laszlo Foundation for the third year running.

This grant category offers grant funding for Professional Fees and Supplies for arts projects which focus on increasing access to underserved and underrepresented people which may include ethnic groups*, people with disabilities, people aged 60 years and older, and active-duty military/veterans and their families.

THEME- "WATER" covers 71% of the Earth's surface and is vital for all known forms of life. 96.5% of the Earth's crust water is found in seas and oceans. Although the sea moderates the Earth's climate and has important roles in the water, carbon, and nitrogen cycles, it is often viewed for its beauty, power, and life. We would like to see your interpretation of water. PAY IT FORWARD- We will be donating 10% of all entry fees from this show to The Water Project. The Water Project, Inc. is a 501(c)(3) non-profit organization unlocking human potential by providing sustainable water projects to communities in sub-Saharan Africa who suffer needlessly from a lack of access to clean water and proper sanitation. Colors of Humanity Art Gallery LLC is not affiliated with The Water Project. JUDGING CRITERIA- Originality, interpretation, quality, demonstration of ability, and usage of medium. JUROR- Janelle Cogan.

The City of Rahway envisions a community in which art and design enrich all aspects of public life and where artists and creatives find opportunity to thrive. The City invites artists to submit their qualifications for the Public Art Program. The City will create a list of pre-qualified artists through this call to artists. Artists chosen for the Pre-qualified Artist List will be eligible for consideration for upcoming public art projects, murals, and sculpture installations in the City of Rahway. Pre-qualified artists will remain on the list through December 2026. Inclusion in the list does not guarantee a commission.

The Art-in-Education (AIE) Workspace Residency is for artists interested in working with local school students while creating their own work in WSW’s supportive and immersive environment. This is an opportunity for artists with a range of teaching experience, from seasoned teachers and professors, to those with minimal experience and an interest in gaining skills and knowledge.

The Art-in-Education program is a model for arts education and operates in conjunction with the Kingston City School District. AIE provides a high quality arts experience by bringing students to WSW’s professional artists’ workspace and giving them concentrated time to learn. Our staff and AIE program manager work with the school’s teachers and the resident artists to develop and execute a curriculum related to the students’ in-school work.

Resident artists must be able to teach intaglio, silkscreen, or hand papermaking, and are welcome to complete their personal work in any of WSW’s studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics. All artists receive a thorough studio orientation and are expected to work independently, though studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

Spring residency 2025: During a five-week residency, artists teach fourth and/or eighth graders in WSW’s studios two days/week for three weeks and visit the students twice in school. In exchange for teaching, residents receive 24/7 studio access during non-AIE sessions and on-campus housing.

Fall residency 2024: During a four-week residency, artists teach high school students in WSW’s studios one day/week and visit the students in school at least once.

As of 2019, all workspace residencies are fully subsidized! This means that while artists are still responsible for their own travel, materials, meals, and other personal incidentals while in residence, WSW provides housing and studio space at no cost.

For nearly 80 years, Sawtooth has been a creative hub for the region—an energetic craft school environment in downtown Winston-Salem, NC. Our year-long Artist-in-Residence programs encourage the development of new skills, connections, and bodies of work while assisting with studio operations.

Ceramic Residents, 2 in wood firing and 1 in electric/gas firing, are given 24/7 access to studio space, materials at cost, free firings, and the opportunity to teach, inspire, and energize our community.

Our Gondring Resident in Woodworking will receive round-the-clock access to Wood and Lathe studios, a semi-private studio space, and a $3,000 stipend in exchange for working several hours per week.

Residents are chosen by the Studio Directors, along with a rotating jury. Applicants are evaluated based on the quality of their work, their dedication to their craft, and their willingness to bring fresh perspectives to the creative community at Sawtooth.

Offered since 1954, the James Laughlin Award is given to recognize and support a second book of poetry forthcoming in the next calendar year. The award was endowed in 1995 by a gift to the Academy from the Drue Heinz Trust. It is named for the poet and publisher James Laughlin (1914-1997), who founded New Directions in 1936.

The winning poet receives a prize of $5,000, an all-expenses-paid weeklong residency at The Betsy Hotel in Miami Beach, Florida, and distribution of the winning book to approximately one thousand Academy of American Poets members.

Submissions for the 2024 James Laughlin Award are accepted from January 1, 2024 to May 15, 2024. The judges are Tarfia Faizullah, Keetje Kuipers, and Barbara Jane Reyes.

Abandoned is an exhibition exploring abandoned and rediscovered objects, spaces, and structures. A popular genre in the photographic world is the trend of urban exploration ("urbex”), the exploration of abandoned or forgotten places to document the narrative of those who lived or worked there. Through the captured image, we can glimpse the ephemeral nature and memory of ourselves and our surroundings and preserve them before being lost to time and place. What do these structures and objects convey about society as we leave them to decay? What is the essence of time and place, and what-or whom-are we abandoning?

Abandoned is an international open call for photographers ages 18 and older. All forms of traditional and non-conventional media, and conventional or alternative processes with a subjective analog or digital photographic base are welcome for submission.

The Parent Grant is a four-week residency for an artist with at least one dependent child under the age of 18. Artists may choose to work in any of our studio disciplines: intaglio, letterpress, papermaking, screenprinting, photography, or ceramics.

Possible childcare scenarios include:

Bringing a caregiver or co-parent (must be 18+) to stay at WSW for the residency period
Finding a childcare facility near WSW
Locating individuals near WSW who can provide childcare
Paying for childcare at your family’s home base
If you plan to bring your child/children and are in need of childcare, WSW recommends using Ulster County Child Care Connections or care.com to locate area providers. WSW cannot assist applicants in finding childcare options.

If your child/children are coming with you, WSW can provide a two-bedroom apartment (with one single bed, one double, and one single pull-out couch) that has a bathroom and an open kitchen/living area. The maximum occupancy is four. Please note that, for safety reasons and to maintain a focused working environment, children cannot be in the studios where artists are working, and must be supervised by an adult at all times.

The Maryland Center for the Arts invites plein air painters to apply for one of 30 spots in its 10th Annual Harford Plein Air Festival. The Harford Plein Air Festival attracts painters from across the U.S. looking for new scenes to paint in hopes of winning over $10,000 in prizes and sales commissions. Harford County offers colonial and contemporary architecture, railroad bridges and covered bridges, quiet fishing streams and boulder strewn waterfalls, bucolic farm scenes and bustling small-town streets. This year's Entry Juror is Dr. Jacalyn Beam.
We encourage juried artists to produce their best work by allowing them to work at their own pace, from July 1 to September 12, verifying their work by submitting gps- and time-stamped photos or with traditional pre-stamped canvases. On Sept. 12, juried artists are invited to join Awards Judge John Hulsey of the Artist's Road at Ladew Gardens for painting. A group dinner follows. Three days of gallery sales and exhibits begin with an opening reception and awards ceremony celebrating 'Arts Across Harford,' a popular countrywide festival of visual and performing arts, which brings visitors from around the MidAtlantic region. Online sales continue from Sept. 20 to Oct. 31. Competition rules are available at www.mdcfa.org.

Total of 5 (Five) paintings for awards judging on September 13, 2024, at the Bel Air Armory. All work must be original and painted en plein air during the Harford Plein Air Painting Festival, between July 1, 2024, and September 12, 2024, without the use of photographs.

Paintings must be hung by the artist or the artist’s representative between the hours of 2 p.m. and 4 p.m. on Friday, September 13, 2024, at the Bel Air Armory, 37 N. Main St., Bel Air, MD 21014 A maximum of FIVE paintings from the Festival may be displayed at any one time on the gallery panel (ie, if a painting is sold, it may be replaced by one other painting). Only ONE painting of the five may be displayed on an easel, per artist, next to the provided artist’s gallery panel.

Are you interested in being a part of the next generation of BIPOC arts journalists? Join our next BIPOC Critics Lab Cohort, in partnership with founder & cultural critic, Jose Solís! Applicants who were not accepted to any past cohorts are encouraged to apply again; previously accepted Lab participants are ineligible to re-apply. Applications are now open until Wednesday, May 15. Learn more here.

The Public Theater is hosting cultural critic Jose Solís’ BIPOC Critics Lab in the 2024-25 season. After successfully hosting the 2023-2024 cohort, The Public is honored to continue Solís’ commitment to creating an educational space for BIPOC (Black, Indigenous, People of Color) writers in the realm of cultural criticism.

Sessions for the Lab will span the course of The Public’s 2024-25 season. Those chosen to participate will receive offers to join the cohort in late June, with the cohort officially beginning in mid-September. This iteration of the cohort will be a hybrid model of online sessions and option in-person activities.

The program begins with ten 90-minute weekly sessions on Zoom for cohort members to define “What My Criticism Will Be”, to take place in Fall 2024. Additional learning opportunities will take place in the spring on a semi-regular basis. Participants who meet the attendance requirements will be assigned a future commissioned piece with compensation.

Following the tenets of dialogue, compassion, and nurturing one’s unique voice, future critics who participate in the cohort will contribute to the creation of a custom program that fits their specific needs and encourages them to pursue the path of criticism that best serves them. Participating in the cohort is at no cost to members. Selected members will have the opportunity to learn all aspects of arts journalism through a variety of mediums beyond the written word. BIPOC experts in the field also serve as guest speakers for the Lab. Writers who meet the attendance requirements at the culmination of the program will be assigned a future commissioned piece with compensation.
About the BIPOC Critics Lab
The BIPOC Critics Lab was founded in 2020 by Jose Solís as a first-of-its-kind program designed to train and create work by emerging BIPOC theater journalists. Solís noticed a gap in training based on his own experience as a cultural critic in the field and created an educational space for BIPOC writers who had not been welcomed into cultural criticism, whether due to systemic oppression, lack of opportunity, or because they didn’t know they were allowed to see themselves as critics. Solís solicited applicants for the first cohort through Twitter where over 100 BIPOC participants expressed interest in participating. From 2021-2023, The Kennedy Center hosted the BIPOC Critics Lab online as a part of the American College Theater Festival. In the summer of 2023, a cohort was also co-hosted by the Stratford Festival and Intermission Magazine. During its 2023-2024 season, The Public Theater hosted its first BIPOC Critics Lab cohort. Alumni of the program have gone on to write and work as editors for outlets such as The Los Angeles Times, Andscape, Elle, Glamour, American Theatre, Broadway News, 3Views, Brooklyn Rail, and Token Theatre Friends.

Be part of the most exciting virtual art gallery, according to the British GQ Magazine!

Artists from all countries are welcome to submit their works for consideration. You are welcome to submit works in any medium. (painting, photography, printmaking, video art, installation, films, sculpting, mixed media, poems, illustration, etc). The theme of the exhibition is OPEN.”

The Studios of Key West, the premier arts organization at the Southernmost Point of the United States, offers a residency program for emerging and established artists and writers from around the world. The Studios provides residencies to visual artists, writers, composers, musicians, media artists, performers, and interdisciplinary artists.

The Peyton Evans Artist Residency (PEAR) program grants nearly 40 artists each year the time and space to imagine new artistic work, engage in valuable dialogue and explore island connections. The PEAR Program is community-based and built upon the hope that visiting artists will take inspiration from Key West’s rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them. Key West’s official motto, “One Human Family” reflects our commitment to living together as caring, sharing neighbors dedicated to making our home as close to paradise as we can. To that end, we encourage artists of all races, nationalities, gender identities, sexual orientations, and abilities to apply.

Our residencies are one month; they run from the 2nd day of the month to the last day of the month. The newly renovated residency guesthouse (PEAR House) is right next door to our flagship building, in the Old Town neighborhood, just a block off of Duval Street. Even being so close to the downtown action, the PEAR House is an oasis of quiet, with a beautiful, spacious courtyard shaded by a massive banyan tree. It’s dripping with Key West history and character. Artists will have access to a shared kitchen, a covered outdoor common area, a second floor wash/work station and a shaded courtyard. All living spaces include a private bedroom and bathroom; some include a detached workspace, some are combined. One residency is ADA accessible on the ground floor, and three are second floor spaces (one is a loft). All spaces have A/C. The kitchen is well equipped, linens are provided and there are laundry facilities on site. Most cell phones work fine and there is Wifi access. There are no televisions.

The Studios of Key West was founded in 2006 with the initial inspiration of simply providing space for artists to live and work, thereby drawing creative people to our island and enriching the lives of all who live here. In those earliest days, our founder Peyton Evans gathered fourteen of Key West’s most successful artists and writers and arranged for them to participate in artist residency programs throughout the country, then return to help us craft our own program combining the best of what they’d seen and learned. Hundreds of writers and artists have since come to Key West through the PEAR Program, many returning and several relocating permanently. Each has benefited from the island’s unique character, and left something of themselves behind. The PEAR Program celebrates the spirit of exploration with which it was founded, the artists it was established to serve, and the vision, wisdom and generosity of the woman for whom it’s named.

The Studios of Key West’s mission is to support artists, inspire creativity and build community.

Through generous sponsors we are able to provide the following extras to use during your residency: BEST OF KEY WEST RENTALS. Generously provided your linens, bedding and towels. FORT ZACHARY TAYLOR STATE PARK. We want you to visit the state park and beach as much as you’d like! Our pass unfortunately needs to be tied to a staff member, so you can coordinate a day to go together, or we’ve got a gift card you can use to visit on your own time. The card is in the PEAR House, be sure to bring it so you don’t have to pay the entry fee. KEY WEST YOGA SANCTUARY. Free yoga classes all month! Register for your first class online with code ‘PEAR’ then connect with staff to get set up with a full month at your first visit. YOGA ON THE BEACH. Meet at Ft. Zach Beach by 8:15am to flow with Nancy and Don. PEARs get your first class free! KEY WEST PUBLIC LIBRARY. We’ve partnered with the library to offer you a library card to use during your stay. Key West Library has an extensive catalog of books and other media, plus e-books and audiobooks available for download and even some special events! Their calendar has more about what’s going on. LAZY DOG ADVENTURES. Lazy Dog does it all – kayak and paddle board tours, rentals, lessons and classes, paddle yoga and fun boat adventures! They’ve offered a paddle pass for PEARs – simply inquire with staff about an available day and they’ll hook you up with a free rental. WE*CYCLE. The fun way to get around town! Public transportation with 2 wheels. They provided your conch cruiser or tricycle.

TERAVARNA announces their "9th ANIMAL" International Juried Art Competition. All visual artists from around the world are invited to submit their best artworks on the theme for inclusion in the exhibition. All types of art styles may be submitted, including both 2D and 3D works, painting, sculpture, digital, printmaking, fiber, photography, graphic, mixed media, as well as experimental and installation works.

Conditions for Participation

​​The theme of this international juried art competition is ANIMAL. For this theme, feel free to represent any animal, from the teeny-tiny insects to the massive blue whales, and even fictional, mythological, or imagined creatures. Artists are free to apply their own interpretation in representing the overall theme. Representational and abstract ideas based broadly on this theme, in any media, will be considered. See below for more details on submission guidelines. Please note that you must be 18 years of age in order to participate in any of our events.

MISSION

The mission of the Cultural Council for Palm Beach County is to nurture, promote, and support a healthy, diverse, and inclusive cultural sector. We serve as cultural architects, championing and growing cultural organizations and creative professionals so that arts and culture are a part of everyday life, for everyone.

The Cultural Council’s headquarters (601 Lake Ave., Lake Worth Beach) features three galleries. The spaces are used for visual arts exhibitions as well as performances (music, dance, etc.) throughout the year. The solo gallery is approximately 390 square feet and includes moveable wall in the space. The Council also offers other programs and services designed to support creative professionals in Palm Beach County and has a dedicated Artist Resource Team (ART) to support the sector.

VISION

We envision Palm Beach County as a thriving, vibrant, financially stable, and inclusive arts and cultural community that contributes to an exceptional quality of life.

STATEMENT OF CULTURAL EQUITY

We believe that everyone has cultural traditions that are inherently valuable. We seek to honor and value creative expression of all people through the work of the Cultural Council for Palm Beach County. Creating an art-filled community means seeing, celebrating, and serving all. Cultural equity is essential to a sustainable arts and cultural sector and a vibrant and thriving community.

Exhibitions

Exhibitions allow visual artists to display and sell their work in a professionally curated and well-promoted show. The Council is available to assist in the selection of the artwork to be displayed, install/de-install the show, handle logistics and sales, and answer all questions along the way. The Council retains 25% of all art sales. These funds are used to support the artist services staff and maintain the building.

Overview

The purpose of the Solo Gallery is to provide Palm Beach County-based emerging or professional visual artists with an opportunity for a solo exhibition (typically a full series of their work or a sampling of work representative of their career evolution). The Council uses a non-paid, competitive selection process for this gallery in an effort to provide opportunities for artists of any means.

Interested artists will submit an application and sample work to be considered by a vetting committee of visual arts professionals. The 2024-2025 schedule will include six solo shows that run for six weeks each.

Application Requirements

Artists are invited to submit an exhibition proposal, brief bio and up to seven images of individual artworks to be considered for inclusion in the 2024/2025 Cultural Council Solo Gallery exhibition schedule. Artwork may be any medium including but not limited to: photography, video, work on paper, sculptural installations, crafts, and textiles. Files must be jpg, not larger than 5 MB per file. Please include all artwork information (Title, Date, Dimensions, Medium, Edition, Run length, Insurance Value). The artist must be the sole author and owner of the title and copyright of all artwork entered.

The Loft Artist Association is pleased to announce a call for entries for Summer
Abstracts, our Spring/Summer Juried Exhibition. Our juror is Elizabeth Tardif, the founder of
Cherry Street Art and Exhibition Manager at the Kershner Gallery in Fairfield, CT. All entries will
be submitted and reviewed via EntryThingy. The Show dates are Saturday, June 1 – Sunday,
June 30, 2024. Deadlines include May 17, for entries, May 24, for artist notifications, and May
28-, for artwork delivery. An Opening Reception and Awards Ceremony will be held on
Saturday, June 1, from 4-6 PM. The juror will speak about the exhibit on Sunday, June 16, from
2-3:30 PM at the gallery. The theme Summer Abstracts is interpretational, and all artists are
invited to submit.
Summer Abstracts is an interpretational theme inviting artists to think about summer in an
abstract context focusing on color, shape, design, texture, and movement within the context of
what it means to consider the approaching summer. What are those feelings and senses that
are evoked with the approach of summer? What are we, as artists, anticipating. How do we
express that?
Juror
Elizabeth Tardif is the founder of Cherry Street Art, an art advisory and consulting service that
provides promotional services for artists as well as providing a resource for consumers who
want to purchase and invest in visual art. Liz works with clients all over Connecticut and with
artists all over the globe. As the Exhibition Manager and Curatorial Committee Manager for the
Kershner Gallery in Fairfield, Liz is responsible for organizing and executing a continuous
calendar of exhibitions featuring a variety of art styles, techniques, and mediums. A dedicated
advocate for visual arts and artists, Liz has delivered talks on multiple topics to encourage the
appreciation of art including “The Art of Buying Art, “The Importance of Art in Our Society”,
“Incorporating Art into a Décor”. An artist herself, Liz works in both oil and acrylic but does not
promote or market her own work.
The Loft Artists Association
Founded in 1978, The Loft Artists Association is a 501 (c) 3 non- profit organization of
professional working artists dedicated to building connections within the visual arts community
and offering many artistic and educational opportunities to the public free of charge. As an
established cultural institution, their grassroots events attract thousands of visitors throughout
the Tri-state area and have been recognized by funding agencies including the Connecticut
Commission on the Arts, corporate and private sponsors, the City of Stamford and by visitors
who return year after year. For more information, please visit loftartists.org.

Laramie Public Art Coalition and the City of Laramie run an exciting temporary art program on the Snowy Range viaduct, one of the community’s key gateways. Artists are invited to submit existing works of art for consideration to be installed on the east and west entrances.

The sculpture pads are a gateway to the city, welcoming visitors and residents to Downtown as well as a gateway to all points west.

Two existing artworks will be selected for this rotation, to be temporarily installed from August 2024 to summer 2027. The artwork will be on loan to the City of Laramie for the duration. The ideal artwork will be eye-catching from a distance and speak to the community as a welcoming and creative place. The work must have the ability to withstand the harsh weather of southeast Wyoming, including high winds.

Budget
The budget for each sculpture pad is $15,000. This budget is inclusive of artist fee, installation and deinstallation, artwork transportation, artist travel, and object insurance during travel.

Artist(s) will provide a maintenance manual for their work detailing how to care for the artwork throughout the display period. Only existing artwork will be considered for this opportunity.

The City of Laramie will provide general liability insurance for the artwork for the length of display and work with LPAC on maintenance.

Sculpture Pads
There is a sculpture pad on the west side of the bridge and a sculpture pad on the east side of the bridge. The west side sculpture pad is 10 feet in diameter. The east side sculpture pad is 6 feet in diameter.

To download the sculpture pad plans, visit laramiepublicart.org/snowy-range.

Selection Process
A selection committee including representatives from the City and community members will determine a short list of finalists. Each finalist will be paid $250 to participate in a virtual presentation on their artwork to a larger community gathering. Participating community members will provide feedback on the artwork to the selection committee who will make the final decision on the artwork. The committee will choose two artists and two artworks for this sculpture rotation. Each artist and artwork will be assigned a sculpture pad.

Timeline
Submission deadline: May 17, 2024 at 11:59 PM MT
Selection panel: Finalists selected by May 30
Community event (finalist presentations): Tuesday, June 11 at 6 PM MT
Artists notified: By June 28, 2024
Artworks to be installed by end of August 2024

This timeline is subject to change at any time due to unforeseen circumstances. LPAC will work with artists to determine an installation time.

City of Laramie
Laramie, the Gem City of the Plains, is a city of 30,000 sitting at 7,200 feet in the high plains of Wyoming. Surrounded by abundant nature, the city is home to the only four year university in the state, the University of Wyoming. https://www.cityoflaramie.org/

Laramie Public Art Coalition
Mission: Enhance and contribute to the unique cultural vibrancy of Laramie and Albany County by creating opportunities for artists and fostering community engagement through public art, exhibitions, special events, and education programs.

At LPAC:
● We believe art is for everyone.
● We strive to create an inclusive and transparent process for creating in the community.
● We meet people where they are.
● We value artists and their contributions to our community and space.
● We enhance public space and create opportunities for challenging conversations.

Parklane Gallery will host the 32nd Annual International Miniature Show in the month of July 2024. Parklane Gallery has been at the heart of the Kirkland area fine art community since 1991. The gallery is located across Lake Washington from Seattle, in beautiful downtown Kirkland. July is an optimal month for an exhibition in Kirkland as tourists and local visiting shops and restaurants bring foot traffic and art lovers to the gallery.

Open to both 2D & 3D art. Miniature art is fine art on a small scale with minute attention to detail which can be enlarged or withstand close inspection without revealing faults. Non-representation work such as abstracts must meet the spirit of a miniature if all other factors in the definition of a miniature is met. No photography or digital art will be considered.

The McKnight Artist Fellowship for Ceramic Artists supports outstanding Minnesota ceramic artists who identify with any methodology—whether it be functional, sculptural, or relational—all techniques are welcome. The intent of this program is to recognize and support mid-career artists living and working in Minnesota who demonstrate a sustained level of accomplishment, commitment, and artistic excellence.

Fellowship support may be pursued for, but not limited to: experimenting with new techniques and materials; purchasing materials and equipment; collaborating with other artists; or pursuing education, exhibition, or travel opportunities. The 2024 Fellowship recipients will deliver a workshop and at the culmination of the grant period, will be featured in a catalogue and group exhibition at Northern Clay Center that will also travel to 3 – 5 sites around the state of Minnesota and western Wisconsin. This program is made possible by the generous support of the McKnight Foundation, Minneapolis, Minnesota.

Beverly is a watercolorist and acrylic painter who teaches and shows in her studio gallery,
“Me-Art Studio”in Easton, PA, which was honored by National Geographic GeoTourism as a place to
visit along the Delaware River. She has been juried into the Allentown Art Museum, The Banana Factory, The Luckenbach Mill and Steel Stacks ArtsQuest Center.

Calling Vendors for Artisans Market at the Danbury Juneteenth Celebration 2024.

The Cultural Alliance of Western Connecticut and the Danbury Juneteenth Coalition invite creative vendors in CT and NY to participate. Our goal is to produce an artisanal experience for the community, provide exhibitors the opportunity to show their work to its best advantage; support the purchase of original fine art and hand-made goods; and fosters art and cultural appreciation. The theme for 2024 Juneteenth is Emancipation Jubilation.

Artists and Artisans will support the event through their creativity to celebrate freedom and bring people together. The Artisans Market will display beauty, distinctness, and discovery of one-self through art. Our Danbury Juneteenth Emancipation Jubilation event will be on June 15th from 12pm to 5pm. It will take place at Western Connecticut State University, midtown campus at 181 White Street, Danbury, CT 06810 on the Higgins Hall Lawn. In case of inclement weather, the event will be moved indoors. Online applications only. Deadline to apply is May 17, 2024.

ABOUT JUNETEENTH
Juneteenth is the oldest nationally celebrated commemoration of the abolition of slavery in the United States. Dating back to 1865, it was on June 19th that the Union soldiers, led by Major General Gordon Granger, landed at Galveston, Texas with news that the war had ended and that the enslaved were now free. This was two and a half years after President Lincoln?s Emancipation Proclamation ? which had become official January 1, 1863.

Today, it is a holiday that highlights the extraordinary contributions made by African Americans to the community, and also celebrates unity and hope for communities across the nation.

Voss Gallery, in partnership with the Ferry Building, is thrilled to announce "Urban Tides: A San Francisco Story," an unprecedented open call seeking to illuminate the vibrant soul of the Bay Area through the lenses of its most creative artists.

This juried group exhibition aims to capture the unique narrative of San Francisco—a city where the pulse of urban energy harmoniously blends with the allure of natural beauty. By featuring 70 of the Bay Area’s most compelling artistic talents, this event not only offers a prestigious platform at Voss Gallery but also provides 20 of the showcased artists an extraordinary opportunity to magnify their work at the iconic Ferry Building.

"Urban Tides: A San Francisco Story" embodies a celebration of the region's enchanting essence and the Ferry Building's enduring legacy as a landmark of innovation, elegance, and a gateway to the heart of San Francisco. Join us in showcasing the dynamic and diverse stories that make the Bay Area an epicenter of artistic excellence.

***IMPORTANT DATES***

The deadline for submissions is SUNDAY, MAY 19TH (11:59PM PST).
Artists must be 18 years or older by the submission deadline and based in the Bay Area to apply.

Artists will be notified via email about their submission by May 25th. A confirmation email will be sent upon successful submission. Artists are responsible for delivering selected work for exhibition to Voss Gallery. Specific logistics regarding artwork delivery will be provided upon acceptance.

An Award Ceremony for the selected artists will be held during the Ferry Building Day Anniversary Celebration on Friday, July 12th from 5PM - 7:30PM, followed by an Opening Reception at Voss Gallery on Saturday, July 13th from 5-9PM. The exhibition will be on view through August 17th.

***ARTWORK INFORMATION***

All artwork must be the EXACT dimensions 20 inches tall x 16 inches wide and may not exceed more than 3 inches from the wall. This strict sizing includes any necessary framing for works on paper.

All artistic styles of 2D mediums accepted include: paintings, drawings, photography, and collages. Mixed media submissions are also welcome if they adhere to the size and protrusion restrictions. If the work incorporates textured elements, it may not exceed more than 3 inches from the wall. Artwork must be professionally presented and ready to hang securely on a wall with hanging wire. Ensure your artwork is equipped with hanging hardware; works lacking this may not be accepted at the time of exhibition setup.

Jerry McLaughlin and Rebecca Crowell, co-founders of Cold Wax Academy, announce Cold Wax International: A Juried Exhibition, the first international online exhibition dedicated to showcasing the breadth of ways artists work with cold wax medium. They invite you to submit 2D or 3D work in any stylistic approach from pure abstraction to realism that involves the use of cold wax.

Selected artworks will be showcased for two months on the Cold Wax Academy website. Cold Wax Academy and its marketing team will promote the exhibition to an international audience of over 15,000 subscribers through email, Instagram and Facebook.

Prizes totaling more than $750 will be awarded. 1st Place - $400, 2nd Place - $250, 3rd Place - $100, 3 Honorable Mentions - membership or gift certificates.

Juror: Dan Addington, artist and owner of Addington Gallery, Chicago, Illinois. https://www.danaddington.com/art/webbio.html

In addition to jurying the show, on July 10, at 11am ET (NYC), Dan will join us for a LIVE Session in our Cold Wax Academy Community Group. The session is FREE, and everyone is invited. During the session Dan will discuss the jurying process and discuss select works. This is a rare and valuable opportunity for entrants in a juried show to better understand the jury process as well as the thoughts and approaches of the juror.

Conversations with Artists invites all artists to submit artwork for possible inclusion in our online group exhibition PHOTOgraphic. We are looking for digital, analogue, and alternative processes, or 2D and 3D artwork that somehow incorporates photography. All artists are encouraged to apply regardless of where they reside. Artwork doesn't have to be for sale.

Artwork will be kept on file and artists who apply will also be considered for future shows and/or to have their interview featured on Conversations with Artists.

Overt Space invites the Wisconsin and international art community to participate in this creative event. It’s a unique opportunity for all, regardless of artistic background - from preschoolers to professionals. All artwork will be accepted and must be 5”x5”. Proceeds will benefit the local non-profit organization, START (Stoughton Area Resource Team).

Artwork must be for sale and all proceeds will be donated to START(Stoughton Area Resource Team). All artwork will be priced at $20. Charcoal & pastel must be fixed, no glitter, no more than 4 artworks per person.

The Fellowship is awarded to five artists working in traditional and experimental photography or any form in which photographic techniques are pivotal. The support for this funding is provided by The Joy of Giving Something (JGS).

Worldwide Artist Open call
​

Video Art Festival in Virtual Reality is currently an online virtual 3d event produced by non-profit association ZMO - Zusammenarbeit mit Osteuropa - Regionalverband Dresden e.V. (Germany) creative center "Omnibus"*. Its purpose is to celebrate fine art filmmakers and their unique visions in experimental and fine.

* ZMO - Zusammenarbeit mit Osteuropa - Regionalverband Dresden e.V. are many charitable projects under this umbrella. Art, culture and creativity contribute a lot to international understanding on site.

We want to bring filmmakers from around the globe together in a unique way in order to showcase and enjoy films in the experimental, fine art, video art, animation and avant garde genres that many have never seen or heard of.

Awards & Prizes

First place - DIGITAL CertificateSecond place - DIGITAL CertificateThird place - DIGITAL CertificateFourth place - DIGITAL Certificate

Rules & TermsAll Films must be experimental in nature. This can be abstract, ornarrative. We also accept works of video art, experimental films, experimental animation, experimental music video.

To be shown at the festival, you must provide us with a YouTube link at unlisted (Anyone with the video link can watch your video) or Public (Everyone can watch your video).

Entry Fees are non-refundable

You may submit for multiple categories, but each Submission requires an entry fee

Submissions must be the intellectual property of the submitter, and/or their team. No proxy submissions are allowed. By submitting to Video Art Festival in Virtual Reality, you confirm that you hold the rights to (or are authorized to use) any and all audio and video in your experimental film.

Categories are:

Experimental Short

Video Art

Experimental Animation

Experimental Music Video

​

Presenting the inaugural "Emerging Artists" international competition and online exhibition. Artists of all ages from around the world are invited to participate, with complete freedom in choosing their preferred media and style. The competition's theme is "Aesthetic Anomalies,". Only artists whose works are selected as finalists will be required to pay a $35 participation fee. Finalists will have their artwork showcased online and advance to the final round of judging, where they will be considered for cash prizes, including the chance to win the grand prize of $1,000.

Theme:

"Emerging Artists" celebrates the innovative spirit of up-and-coming talents, inviting early-career artists to showcase their fresh perspectives and experimental techniques. From bold brushstrokes to avant-garde installations, participants are encouraged to express their unique narratives, connecting with fellow creatives and leaving their mark on the art world's vibrant canvas.

Pyramid Atlantic Art Center’s Keyholder Residency is a competitive opportunity for emerging to mid-career artists who want to have unlimited access to the studios in exchange for working 8 hours a week for Pyramid Atlantic. The residency is awarded to artists who hope to gain more knowledge and improve their skills in the printmaking, papermaking, or book arts studios. Two artists are selected twice a year by the Pyramid Atlantic artistic staff. Keyholders work in a productive community atmosphere alongside other artists and are expected to abide by all studio policies. Housing is not provided, although, upon acceptance, artists will receive information on opportunities of nearby housing.

Spring/Summer 2025 Keyholder Residency
(Runs March–August, 2025)
Applications will be accepted starting in November 2025

​Fall/Winter 2025 Keyholder Residency
(Runs September 2025–February 2026)
Applications will be accepted starting in May 2025

Emery Community Arts Center invites artists to submit their work for consideration in our upcoming thematic exhibition, "The Thinking Hand." The forthcoming exhibit will feature a survey of contemporary artworks in multiple media that engage the legacies of craft and the poetics of technique and process as methods of material exploration and storytelling.

The exhibition borrows its title from Juhani Pallasmaa’s book, The Thinking Hand: Existential and Embodied Wisdom in Architecture. Throughout this influential text, Pallasmaa analyzes, “the essence of the hand and its seminal role in the evolution of human skills, intelligence and conceptual capacities,” and proposes that, rather than the mind being the solitary control center of imagination, “….perhaps, it is the hand that really imagines as it exists in the flesh of the world, the reality of space, matter and time, the very physical condition of the imagined object.” Artists are encouraged to submit 2D, 3D or time-based works that engage physical processes, material exploration and/or new approaches to traditional techniques as foundational elements in building form, meaning and/or narrative in the artwork.

SUBMISSION DEADLINE: Friday, May 24th, 2024

The exhibition will be on view from June 21st - August 9th, 2024 at Emery Community Art Center, University of Maine at Farmington.

How to Apply:
-Use "The Thinking Hand" Submission Form to apply: https://forms.gle/wR2SLruuUCHtcRXB9
-Upload up to 5 images of your artwork, a corresponding Image List, your Artist Statement and Artist Bio.
-Image file formatting requirements: Image files must be approximately 1200 pixels in largest dimension, 72dpi and formatted as JPG, PNG, or PDF.
For video and time-based works, please submit a link to your work on YouTube, Vimeo or other host platform.

The Lumen Prize champions the innovative possibilities of technology-driven creativity. We provide the pre-eminent platform showcasing artists who are pioneering new visual languages at the intersection of art and technology. Lumen is affiliated with Lumen Studios, a UK-based digital arts champion which builds opportunities for Lumen artists by curating exhibitions, commissions and events for art venues, cultural institutions and public spaces around the world as well as delivering consultancy services for partners globally.

All art is eligible, as long as it engages with technology in some form and meets one of the five prize categories.

The lobby of the Red Room Art Gallery will be hosting Electric Plaid, a show celebrating garish art.

Provide a photo of the work and a brief description of the piece. $25 per entry, unlimited entries. Entry fee must be sent via venmo to @charles-pellicane-red-room (last four 7041) for consideration.

Jurors will select art for artistic merit, response to the call, and fit to the contemporary eclectic gallery space.

Paintings must be under 72" on any singular dimensions. Sculptures must be under 36" in any dimension.

No cursing or profanity will be accepted. All soundtracks should be between three and eleven minutes long.

All accepted painting entries must be prepared for hanging.

You will be emailed shortly with further instructions if your art is select for our show. If not, we encourage you to apply again as our space is limited and we see a lot of great art.

All physical media must be "for sale." Red Room Art Gallery takes a 30% commission on any items sold during the show.

Care is a ripple. From intimate to global, from self-care, care of family and lover, friend and neighbor, town and city, state and country, the global world, care undulates out to our whole island planet and every species upon it. To care is to look after, provide for, to watch over, to grieve, to lament, to cry, to feel concern, to attach importance. In a year of political turmoil, war, and environmental devastation, how wide can our caring arms be embraced? Who can we give care to? What can we care about? What can we watch over? What and who can we be careful about? Who is deemed worthy of care? What is appropriate care? When is care invasive? Should we care? Can we not care? Do we have that luxury? How can we give protective attention, caution, concern, and prudence? Can we extend care beyond our bodily, familial, national, species, and earthly borders? AiOP 2024 asks how art can create spaces and actions of compassionate fearless care. Can we offer and enter them with joy and love?

Art opens a space of empathy – an invitation to see through the eyes and heart and mind of another. An act of hope and imagination – art can help us dream new ways and new worlds into being. We invite you to imagine together how we can bring care to one another and our fraught and fragile world.

AiOP CARE invites artists, performers, agitators, and caretakers to enact notions of care along 14th Street NYC. We are looking for individuals, collectives, and collaborators, and those interested in collaborating with like-minded folks to design new team projects for the festival. CARE invites artists to offer stations of care across the festival, where all are invited to stop, to rest, to CARE.

Patricia Miranda and Christopher Kaczmarek are NYC-based artists, curators, and educators. Miranda is founder of the artist-run orgs The Crit Lab and MAPSpace, and works with donated, repurposed, lace and linens in site-responsive sculpture and installation. Kaczmarek’s work spans both experimental and traditional practices, including sculpture, site-specific installations, performance, video, built circuits and solar-powered objects.

Light Space & Time Online Art Gallery announces an art call for the gallery’s 14th Annual “Cityscapes” Online Juried Art Competition for possible inclusion in the Gallery’s June 2024 online group art exhibition.

Both 2D & 3D artists (including photography & digital art), regardless of where they reside, are invited to apply to this competition by submitting their best representational or abstract art.

The “Cityscapes” theme is the artist’s interpretation and depiction of cityscape art. Cityscape subjects include cities, towns, urban scenes and any related metropolitan subjects.

The #1 overall top winning artist will be the Best in Show winner of the exhibition. The Best in Show winner will receive a cash prize. Winners receive extensive worldwide publicity and promotion.

Entry Fees: $18.00 for 1 to 2 entries / $26.00 for 3 to 5 entries. Early entry and art student discounts.

The deadline to apply to this art competition is May 27, 2024.

For further information and to apply online: https://lightspacetime.art/14th-annual-cityscapes-art-competition-2024/

About Light Space & Time Online Art Gallery
Light Space & Time Online Art Gallery conducts monthly themed online art competitions and art exhibitions for new and emerging artists on a worldwide basis. It is the gallery's intention to help today's artists to successfully market their art to a worldwide audience.

PROUD+ 2024 is the seventh national exhibition of LGBTQIA+ visual arts running from July 2 - Aug 3, 2024 at The Studio Door (San Diego, CA). 
LGBTQIA+ artists are encouraged to present contemporary works that celebrate the unique sense of pride that this diverse community has. The Studio Door is seeking artwork that expresses authentic, diverse viewpoints from the LGBTQIA+ experience.  Show us what your Pride looks like.
Juror: Michael Swank, Director of Exhibition and Residency at Art Gallery Studios (Mexico City, Mexico), producer of Bureau of Queer Artists.

It's that time again, the competition for this year's Genius Loci Festival in Weimar 2024 officially starts today.

The festival will take place from August 30 to September 1 and artists can submit their work until May 29, 2024. Please reach out to this organization directly through email to apply.

The three winners will receive a total of €30,000 in prize money and their work will be shown at the festival.

Please see website for further more details about the competition and locations for video mapping.

Awarded residencies are funded opportunities available through an application process and awarded to people actively working to promote dialogue and positive environmental change. Wide open vistas and opportunities for field exploration in the high desert’s living laboratory provides rich inspiration. Residents stay in their own cabin, free of charge, and are responsible for their own travel costs and food while they are in residence. PLAYA is open to international and domestic applicants as long as eligibility requirements are met.

Applicants may choose a 12 or 26 day session. All residency sessions begin on a Thursday and end on a Monday. Applicants must choose from the dates available. We cannot accommodate custom residency dates.

PLAYA uses SlideRoom for the application portal. Applications will be evaluated on how aligned the proposed project is with PLAYA’s mission, the quality of the work samples and how likely the work will evoke dialogue and positive environmental change. We do not accept residency applications by email, regular mail, or fax. Incomplete or late applications will not be reviewed. Please apply before 11:59 pm on May 30, 2024, by following the link below. We highly encourage you to read the application information and instructions carefully. Please note that the application questions will help the jury choose residents whose work is in alignment with PLAYA’s mission and whose work or project would most benefit from the natural science assets and living laboratory that PLAYA has to offer.

Join us for an introductory taster session of the Art Curation & Exhibition mamnagemnt Short Course, hosted by Karen Van Hoey Smith and the Visual Artists Association. This session is a sneak peek into the full program.

These four sessions will offer you a systematic approach to curation and exhibition management. Whether you are an artist looking to curate your own work, or an art professional looking to step into art exhibition management, the course offers step-by-step instructions to help you become consistent and increase your knowledge of taking ideas to reality.

Curriculum:

Session 1: Introduction to Curation

- Understanding the role of a curator

- Exploring different curation styles

- Fundamentals of exhibition planning

Session 2: Curatorial Practices

- Curating for specific audiences

- Incorporating themes and narratives – from idea to reality

- Selecting and arranging artworks

Session 3: Exhibition Management

- Logistics of exhibition setup

- Marketing and promotion strategies

- Engaging visitors and managing feedback

Session 4: Putting Theory into Practice

- Budgets and fundraising

- Contracts, negotiations and obligations

- Designing your own exhibition concept and curated collection

- Feedback and guidance from experts

MEET THE TUTORS OF THE TASTER SESSION

Karen van Hoey Smith

Karen is an Artist Director and Fine Art Auctioneer with a Degree in Fine Art Evaluation, previously working as gallerist for over 15 years. In addition to this was she was also a partner of a leading UK art publishing house. With a successful history in face-to-face selling working as an Art Broker, having sold pieces for the likes of Banksy, Karen found that she was representing and helping Artists on a regular basis achieve more sales and reaching

their goals. She is now the lead Artists Mentor at the VAA, leading professional development of artists.

Louise Minnaar

Based in South Africa & UK; Louise followed her passion for art early on, attending Art School for 4 years and going on to achieve a degree in education. Louise brings over 10 years’ experience in the art industry, from art auctions all over the world to working with one of the largest publishers in the UK with Whitewall Galleries. Louise has helped clients from all walks of life get happily involved in collecting artwork, from not only the likes of Picasso and Miro, but also exciting up-and-comers at all stages in their art careers. Louise has attended Art Sales Academies with a number of leading galleries.

The Boynes Monthly Art Award is a monthly art competition for artists worldwide. Every month 3 artists will win $100 USD cash, a published interview, a winner's certificate and a feature in our newsletter!

May 2024 Theme : Water
The theme "Water" invites artists to explore the multifaceted aspects of water, both literally and metaphorically. Artists may depict water in various forms, including oceans, rivers, lakes, and rain, as well as its symbolic representations such as purification, life, tranquility, or turbulence. This theme encourages creativity and allows artists to delve into the profound relationship between humanity and water, addressing environmental, cultural, and emotional dimensions. Artists are challenged to capture the fluidity, movement, and transformative power of water through their chosen medium, whether it be painting, photography, sculpture, or mixed media.

Artists are required to submit:

Name
Email
Artist Bio (Max 500 words)
Portfolio (Max 6 images/videos)
Optional (recommended)

Artist Website
Art Social Media Handles
You can begin your application and return to it as you please, however it must be submitted by the posted deadline.

Please also note that you can request to edit a submission after you have submitted but before the final deadline.

Please note that entering our Monthly Art Award does not affect your application to the Boynes Artist Award in any way. This application is separate and also has no bearing on judging in the Boynes Artist Award.

Next group show at 4 Saint Mark's Place is COWBO^Y. We are looking for cool, contemporary works in this thene. Please submit some images to [email protected].

Summer in the City (Group Art Event - all works are 24 x 24 inches)
Space is limited - please email [email protected] now to receive all the details on how to participate in this art event.
Early Summer 2024 in the East Village

This event is free and only open to professional artists. Space is limited. Please RSVP. ​ We look forward to meeting you!

Jonathan Silver (1937-1992) was a sculptor, art historian and art critic. He was passionately engaged with sculptural form and process and with histories and theories of sculpture.

The Jonathan and Barbara Silver Foundation is committed to supporting the field of sculpture. The JBSF grant program operates on a 2-year cycle, with alternating grants that support writing in even years and sculpture in odd years. Applications are now open for writing on sculpture, and the recipient will be announced later in the year. The sculpture grant application will be available in 2025.

The recipient of the writer’s grant will be able to demonstrate a serious commitment to writing about sculpture, through fresh writing and thinking on the history, aesthetics, purposes, imagination and/or situation of sculpture.

Supported categories of writing include essays and books. Types of writing that are supported include art criticism, art history, memoir, psychoanalytical study, philosophical meditation and literary study.

The project is expected to be completed within 1 year of receiving the award.

Causability recognizes that creatives are often asked to donate their art or time to nonprofits without payment. This mindset can contribute to an undeserved or ‘starving artist’ stereotype.

We are changing this.

By empowering creatives, nonprofits and communities can benefit much more from collaborating together on a project rather than just creatives one-time ‘gifting’ their art away.

Therefore, we’re offering three $5K grants to empower and encourage cause collaboration:

Each grant is $5000.00 providing creatives the ability to collaboratively develop an creative related event, program or fundraiser with a local nonprofit.

For the next edition of the Watao art festival, we aim for a Watou shaped by collectives and collabs, celebrating collaborative creation’s diversity and strength. The theme of this year’s open call, “The Smell of Grass is Changing”, represents the adaptation, transformation, and renewal we seek in art, inviting reflection on our changing world and its impact on our creative process and interactions. Internationally acclaimed artist Koen Vanmechelen invites artists for an in situ encampment as an immersive experiment.
We invite collectives or collabs (a minimum of 3 people) to participate in the next edition of Watou Arts Festival. Selected collectives or collabs will work in situ at one of the festival locations and transform that location with site-specific (indoor and/or outdoor) artistic contributions. Thus, collectives or collabs must be willing to visit the festival during the summer of 2024 (6 July – 1 September) to meet with the organisation and to develop their project afterward. Mixed teams with participants from fields other than visual arts are encouraged to apply. The Art Festival Watou is known as a festival where visual arts and poetry merge. Applicants must be at least 18 years old.

The Blue Koi Gallery is now accepting submissions for Solo Exhibitions! This is a fantastic opportunity for artists worldwide to share their talent. We welcome submissions from both 2D and 3D artists. If your work is chosen, you’ll have the special opportunity to showcase your art in a virtual solo exhibition, reaching audiences around the globe.
To be considered, kindly submit images of your best cohesive work—a minimum of 5 images is required. These images must be original works created by you, the submitting artist. Additionally, please note that all applicants must be 18 years of age or older.
Artwork should be in by May 31, 2024.
Standard: $35 for 5-10 images

The City of Joliet announces a request for proposals (RFP) for a signature sculpture installation at City Square, which is a new 1.3-acre urban park located within the 100 block of N. Chicago Street, directly across from the Rialto Square Theatre. City Square will be a catalytic transformation of underutilized, publicly owned space into a vibrant gathering place to the heart of downtown Joliet. We are seeking a unique sculpture that will act as a centerpiece to the City’s much anticipated public square. The sculpture should be reflective of Joliet’s culture and diversity

Grand Rapids, MI – The prestigious ArtPrize 2024 opens its artist registration from April 11th to May 31st. Artists from around the world are invited to exhibit their work in Grand Rapids, leveraging a unique platform to engage with an international audience and compete for a share of the $400,000 prize pool across multiple categories.

ArtPrize 2024 emphasizes artistic innovation and community engagement, offering comprehensive grants to support artists in presenting ambitious and transformative projects. This commitment positions ArtPrize as a leading event for public art exhibitions worldwide.

Empowering Artists with Comprehensive Support
ArtPrize introduces several grants aimed at facilitating creative projects:
Featured Public Projects and Future Public Projects Grants support large-scale and permanent artworks.
Hero Project and Venue Exhibition Grant cater to innovative projects and exhibition logistics.
Artist Seed Grant, Motu Viget Grant, and Sculpture Grant offer financial assistance to emerging, local, and sculptural works, ensuring a diverse and impactful presentation.

A Celebration of Creativity and Community
Set in the vibrant city of Grand Rapids, ArtPrize transforms the area into an expansive gallery, showcasing artistic talent from across the globe. This event fosters a sense of community and global dialogue, inviting artists to partake in a grand celebration of art.

An art residency provides the technical conditions, time, and space to develop ideas and try new approaches. It is a moment that promotes connection between artists from different backgrounds and consequently the exchange of knowledge and experiences.

Aviário Studio Multidisciplinary Residency aims to promote exploration and production in the Visual Arts. Artists can develop projects using a medium or a combination of technologies. Aviário Studio is an artist-run space with workshops equipped to develop works on Printmaking, Ceramics, Wood, Metal, Sculpture, Installation, Drawing, Painting, Photography and Bookbinding.

We offer the conditions to test possibilities and materialize ideas. On one hand, it can be a moment of transition, more connected to experimentation and research; on the other hand, it can be the point of consolidation of a project translated into the production of a new body of work.

The duration, focus and outcome of the residency is defined by the participating artist’s goals.

If accepted, Residency Fee includes :

- accommodation in a shared house,

- studio access during opening hours (Mon.-Fri. from 9 a.m. to 6 p.m.)

- technical assistance on demand

-1 hour of project discussion/technical assistance per artist per day

-access to the workshops and equipment according to each participant experience.

The Eliza Moore Fellowship for Artistic Excellence is awarded annually to one outstanding, early-career artist who is developing new works that address plants, gardens, or landscapes in the broad sense. This award is open to visual artists, literary artists, dancers, and musicians. The award includes a $10,000 individual grant and requires a 2 - 5 week stay at Oak Spring. While at OSGF, the Fellow will be able to meet with staff, explore our 700-acre landscape and our efforts in sustainable land management, and visit our rare book library that holds over 19,000 objects, including many examples of botanical art.

OSGF intends to award the Fellowship to an exceptional artist whose works show remarkable promise to contribute to a deeper understanding of the natural world, and humankind’s place in it. The Fellow will be scheduled to visit when there are other Interdisciplinary Residents or Fellows on-site. This scheduling will allow the Fellow to join in communal meals, and optional activities and field trips with other artists, ecologists, researchers, or scholars working on projects related to OSGF’s mission. Beyond time devoted to their projects, a Fellow’s typical day at Oak Spring might include a walk to enjoy the landscape or birds; an appointment to visit the Oak Spring Library; and/or a morning spent volunteering at the BCCF or in the formal garden. These optional activities provide Fellows time to learn from, and interact with our staff. None of these activities are required, and we understand that some Fellows might want to spend most of their time in their writing or working independently. We support and enable Fellows to use their time as they best see fit.

Attention artists! Elena Bulatova Fine Art Miami Beach is excited to invite you to submit your artwork for our virtual exhibit during Art Basel Miami Beach 2024.

Submission Guidelines:

Submit up to 3 works for consideration.
For each artwork, please include the following details:
Title
Size (dimensions in inches or cm)
Medium
Retail Price
Artist's Bio:

Please provide a brief artist biography highlighting your artistic journey, inspiration, and any notable achievements or exhibitions.
How to Apply:

Email your submission to [email protected] with the subject line "Art Basel Miami Beach 2024 Submission - [Your Name]."
Deadline for submissions: May 31, 2024.
Submission fee: $39 per artwork (paid via PayPal to [email protected] or Venmo @Elena-Bulatova).
Selected Participants:

Selected participants will be notified via email by July 31, 2024.
Don't miss this opportunity to showcase your art to a global audience during Art Basel Miami Beach 2024. We look forward to receiving your submissions!

The purpose of the Joshua Tree National Park Artist in Residence Program is to provide opportunities for artists to creatively explore the resources of Joshua Tree National Park, promoting a deeper appreciation of the natural, cultural, and historical resources therein.

Artists are an important part of the national park system. Writings, paintings, photographs, and public outreach provide opportunities for new audiences to experience national parks. In the era of virtual visits, the role of artists is more important than ever in sharing unique perspectives of national parks with online audiences.

The Joshua Tree National Park Artist in Residence Program (AiR) is open to visual artists, performing artists, musicians and writers. Artist are invited for a one-month stay in fall or spring. There are two objectives for this residency. One is to give artists time to explore the park and pursue their own creative practice. The second is for the artist to share their unique perspective of the park’s resources with others.

Accommodations and Working Conditions
Artists in residence are housed at Black Rock in the northwest corner of the park. This area has a ranger station, a campground and access to many beautiful trails. Sitting at the base of the San Bernardino mountain range, its higher altitude makes this area one of the best for Joshua Trees and somewhat cooler than other parts of the park. Although conditions at this location are often relatively temperate, artists should be prepared for more extreme conditions during the course of their stay, including high winds, low relative humidity and temperatures that can range from 100 degrees Fahrenheit during the day to as low as 30 degrees at night.

Artists sleep in the studio space in the Black Rock Campground, which is furnished with a twin bed and bureau. The studio has a drafting table, several folding tables, and ample natural light. Public toilets are adjacent to the studio space. Shared kitchen, laundry, and bathing facilities are a short walk or drive from the studio at the Interagency Fire Center. The distance between the sleeping space and the kitchen and bathing facility is less than half a mile. The town of Yucca Valley is about a 10 minute drive away and has a variety of shopping and dining as well as medical facilities.

Though housing is provided, artists are responsible for their own expenses such as meals, personal art supplies, transportation, etc. Only one occupant is allowed at any time in housing. Park policy prohibits bringing pets.

Donation of Work to the Joshua Tree National Park Collection
At this time, work is not being accessioned into our museum collection. Therefore, artists are asked to share high-quality, digital images of any works produced as a result of their time in residence with the park, with permission to reproduce the images for the purposes of sharing work created through the residency with the public. Credit will be given to the artist any time the work is reproduced for this purpose.
Black Rock Art Gallery
The gallery is located in the Black Rock Nature Center and exists as a as a space for presenting contemporary interpretations of themes related to the park. Exhibitions are made by selected Artists in Residence as well as community and other artists.

How to Apply
Applications for Fall, 2024 and Spring, 2025 residencies will be accepted April 1- May 31, 2024.

To apply, email one PDF file that includes all three of the following application components to [email protected] and pay the $35 application fee on Eventbrite.

Application components:

Artist Resume, including link to professional website. Jury members are not able to consider social media profiles as professional websites.
Statement of Purpose- 2 pages, double spaced, 11 point font
Describe your artistic practice and proposed work for a residency, including relevance to Joshua Tree National Park.
Proposals must adhere to principles of Leave No Trace as well as all established park rules and regulations. Proposals that suggest alterations to the landscape or harvesting of material from the park will not be reviewed favorably. Installation artwork is not feasible for this residency.
Provide preferred residency dates of 3-4 weeks in either the Fall (October-December) or Spring (January-April)
Work Samples
For visual work, include 5-7 images.
For writing samples, include 3-5 pages.
For time-based works (music, films, performances, etc), submit links to view excerpts of 5-10 minutes.
For questions contact [email protected].

Review Process

Applications are judged by a jury comprised of former program participants and Volunteer Art Professionals. Jurors consider artistic merit, relevance to the park, and originality of the proposal.

The 14th Annual PleinAir Salon is an online art competition with 12 monthly cycles, and is open to a variety of mediums and styles. It’s not just for plein air painters! We invite a variety of top master artists, museum directors and gallery owners to judge each month. All monthly winners are automatically included in the Annual Competition where the Grand Prize winner receives $15,000 and has their painting featured on the cover of PleinAir Magazine, the #1 representational art magazine at Barnes & Noble.

In addition to a total of $50,000 in ALL Cash Prizes, winners receive exposure and recognition through our various magazines, websites, newsletters and social media platforms.

Early Bird Registration ends on the 15th. Enter before the deadline to receive 25% off every entry. The regular cost is $38 for the first entry, and just $16 for each additional entry. Artists are welcome to enter as many paintings as they like, in as many categories as they like. There are 19 categories in all.

Check out PleinAirSalon.com/archive to see what else is offered to the winners.

Nation-wide (Canada) OPEN CALL for our INAUGURAL, JURIED ONLINE EXHIBITION & SALE NORTHERN VISIONS. This ONLINE EXHIBITION takes a deep dive into Canadian identity through the lens of its artists from coast to coast. OPEN TO ALL permanent Canadian residents ages 18 and up.

Showcase your best work on our national platform with over 30,000 art enthusiasts and collectors. This is an exciting opportunity for both established and emerging artists to gain exposure and connect with a wider audience. Share YOUR VISION in this diverse online collection.

What does “MY CANADA” mean to you?

Welcome to the 2024 Summer Workshops

This year, we have lined up 65 extraordinary workshops in visual arts and creative writing over the course of nine weeks. We’ve brought together an outstanding group of instructors that includes many esteemed faculty members, along with many faces who are new to FAWC. We are confident that this dynamic combination of new and familiar faces will help create an inspiring atmosphere at FAWC that will invite students to take creative leaps.

Register for a Workshop

Here are some of this summer’s highlights that we are most excited about:

A new tiered tuition system. In a continuation of our effort to make the Summer Workshops more welcoming and accessible to artists and writers who have been historically underserved by FAWC, we are introducing a tiered tuition system that will make workshops more affordable for those who need it. There is also a special discounted rate for teachers and students. Click here to learn more about it.
Online Catalog Only. This year, we will only offer an online catalog, supplemented by timely promotional announcements. We believe this is a more environmentally sustainable approach aligned with our values and furthers our commitment to mindfully steward our natural resources.
New and familiar faces. Many of you will notice that a few beloved, long-time instructors aren’t teaching this year. Don’t worry—they’ll be back! Our faculty recruitment strategy stresses having a fresh mix of faculty every year. Periodically, we will give all instructors a break for a year or two. This will allow us to invite new faculty consistently every year and keep our catalog vibrant and interesting for our students.
Queer Week is back! Andrea Lawlor is our returning curator for Queer Week II, and they have recruited an amazing group of instructors, including printmaker Miriam Klein Stahl, painter Ilana Savdie, writer and performer Celeste Lescene (along with his colleagues at Future Perfect Project), poet Cameron Awkward-Rich, writer Melissa Febos, and writer Carmen Maria Machado.
Commitment to DEIA. Check out the DEIA Resources link to learn more about everything we are doing to center our commitment to diversity, equity, and inclusion. You’ll also find a variety of articles, videos, and websites where you can learn more about DEIA issues.
Scholarships. We are continuing our commitment to making the Summer Workshops more welcoming and inclusive by offering robust scholarship opportunities. Last year, 20% of our students attended a workshop without having to pay tuition, thanks to the generosity of our community. We aim to match or exceed that this summer. Click here to learn more about our scholarship program and apply for a scholarship. Please click here if you would like to make a tax-deductible donation to our Access Fund to support our scholarship program.
Our Partners. We are grateful to our many partners that help make the Summer Workshops so transformative for everyone who attends: the generous foundations and individuals that support the program; the academic institutions, nonprofits, and businesses who partner with us to provide scholarships; the hotels, inns, and B&Bs who make housing affordable for students; and the local businesses that donate goods and services.

We strive to bring you the highest quality day workshops and regular art classes on offer in the region. Every year we devise a large programme of day workshops with top quality visiting tutors, sharing new techniques, inspirational themes and a creativity that helps to make Pegasus a really exciting artists hub. Whether you are a hobby artist, a total beginner or a professional wanting to refresh your skills, there is plenty on offer.

During term time, our team of experienced tutors teach morning and afternoon classes throughout the year in a variety of mediums. Read on to find out more about watercolour classes with Richard Callingham, Mixed Media with Sue Rae, Max Hale's new courses that change medium each term to take you on a learning journey,drawing and painting with Paul Fowler's Life Drawing and Drawing Skills classes, Alison Vickery's mixed media and exploratory courses and oil painting every Friday with Rob Collins RCA. When term begins, the buzz in the Attic Studio is fantastic. It's a great sociable and learning environment.

Join our artist community, learn new skills, garner advice and support and of course, stock up on the finest quality art materials. We look forward to welcoming you to Pegasus Art.

The Awesome Foundation is an ever-growing worldwide community devoted to forwarding the interest of awesome in the universe. Created in the long hot summer days of 2009 in Boston, the Foundation distributes $1,000 grants, no strings attached, to projects and their creators. At each fully autonomous chapter, the money is pooled together from the coffers of ten or so self-organizing “micro-trustees” and given up front in cash, check, or gold doubloons.

You have the opportunity to participate in a cutting-edge sculpture exhibition that is anticipated to be the first of its kind in the world: An Augmented Reality exhibition of real-world sculptures that will be virtually displayed via an app onto a real-world outdoor pedestal in a Price Sculpture Forest’s beautiful public sculpture park setting. Your real-world physical sculpture will be digitally transformed for onsite display by a technology startup company we are partnering with. A custom Augmented Reality phone app has been created specifically for this exhibition at Price Sculpture Forest. Visitors will download the app onsite (free WiFi is provided) and be able to view your sculpture via a QR code on your sculpture plaque that shows your name and sculpture title. The visitors can then see your high-resolution sculpture on the pedestal seamlessly placed within the visual context of the entire area, background, and people there. They can walk around your sculpture to see it from all angles and view it up close or from a distance. They can even stand by your sculpture and take a picture with it. The app will include artist information about you plus links to your website and social media for additional information, contact, and sales inquiries.

Buenos Aires is one of the busiest cities on the planet, and its artists are some of the busiest people in the world. That is why we understand that not everyone has the time to carry out a one-month residency. However, this does not change the importance of time and space for our artistic practices.The Micro-Residences are mainly aimed at completing or deepening ongoing projects / ideas / works or starting a new project. Each Micro-Residence intends to be different (as the artists are diverse) and each resident can help develop new aspects of the residence.

Take advantage of your stay in Buenos Aires to get in touch with its rich artistic community, producing art in an inspiring environment. ‘Ace gives you space and professional assistance to create new works in a short, but very intense, period of time. This format is ideal for those artists who belong to academic institutions and who do not have long periods of time to complete a full residency, since this option allows them to venture into the world of residences according to more limited time possibilities.

Because we firmly believe that diversity enriches us, the artists selected in our Micro Residencies are not discriminated against by race, skin color, gender, national origin, age, religion, creed, sexual orientation, gender identity, or gender expression.

Within the broad spectrum of artistic residencies, this 5-days Micro Residence is a new concept of work that seeks significant results in a stimulating environment. This short space of time fosters informal knowledge and exchange, both for the resident and the host organization and, to some extent, between the resident and the local art scene.

La Maison de Beaumont offers an Artist Residency in Provence & Luberon as part of the prestigious ResArtis network (a worldwide network of 550 vetted members operating in 75 countries), as well as part of the Artist Communities program.

Residency dates can be anytime subject to availability

The Artist Residency of La Maison de Beaumont was created with the goal of offering a retreat for musicians, scholars, writers and painters, who seek a quiet place to work undisturbed on their art. The scenery and beauty of the region, coupled with the history and comfort of the house, provides an ideal setting to focus on creative work.

The program provides :
• Up to two months in residence at La Maison de Beaumont
• A fully equipped private apartment with kitchen & bath
• A common creative room for rehearsals, exhibits or other artistic endeavors
• Networking with other cultural associations of Luberon

The application fee will be waived if you mention "Artwork Archive" in your email application!

Stochastic Labs awards fully-sponsored residencies to exceptional engineers, artists, scientists, and entrepreneurs from around the world. Residencies are of variable length and include a private apartment at the mansion, co-working and/or dedicated workspace, shop access (laser cutter, 3D printer etc), a $1k monthly stipend and a budget for materials. Residents become part of Stochastic’s creative community, participating in weekly dinners and invitation events. Residents may apply as individuals or as teams. While applicants may be at any stage in their career, the selection is highly competitive.

DEADLINE IS ONGOING

Created in 1993 to further FCA's mission to encourage, sponsor, and promote work of a contemporary, experimental nature, Emergency Grants provide urgent funding for visual and performing artists who:

-Have sudden, unanticipated opportunities to present their work to the public when there is insufficient time to seek other sources of funding

-Incur unexpected or unbudgeted expenses for projects close to completion with committed exhibition or performance dates. Our mission is to support experimental artistic practices.

Emergency Grants is the only active, multi-disciplinary program that offers immediate, project-based assistance of this kind to artists living and working anywhere in the United States, for projects occurring in the U.S. and abroad.

The School of the Photographic Arts: Ottawa (SPAO) invites applications for the Artist in Residence for Photographers and Photo-Based Artists. This 6-month photographic mentorship and residency is one of the most unique residencies of its kind. This residency is designed for visual artists who have previously completed formal training in visual arts and/or lens-based media and are ready to intensely focus on an aspect of their existing career or on a specific upcoming project.

SPAO’s Spectrum Bursary provides $3000 to artists from racialized and underrepresented communities to use towards the SPAO Residency.

Duration of residency: 6 months

XAANINNA art residency located in the jungle of Tulum Mexico is currently receiving applications for self directed art residency projects to take place on through 2024.

Artist owned retreat, residency and workshop on site since 2013 develop on models for low impact architecture and sustainable living as core value. From 2018 runs an international cultural residency program receiving artists by open call into individual or collective stays, free residency competitions or direct invitation.

Proposals are considered into partial or full funding. Family inclusive and work exchange opportunities. Contact for further info.

ARTNOIR is excited to announce our microgrant initiative, The Jar of Love Fund, is currently accepting applications once again. The Jar of Love Fund is intended to provide relief for artists, curators, and cultural producers of color. The Jar of Love Fund has distributed over $100,000 USD and first launched in 2020 in response to the unprecedented times of uncertainty, unrest, and the subsequent adverse impact on our community.

For the past decade, ARTNOIR has worked tirelessly to be an agent of social change catalyzing equity across the arts and culture industries. As an organization based on the foundation of community first, we want to do our part to provide love and care for artists, curators and cultural producers of color when they need it most. The unrestricted grant is designed to help remove some of the burden of thought and free up mental and spiritual capacity to continue creating and collaborating in strength. The arts and culture are the bedrock of any society. These are spaces that invite us to think critically and engage in rigorous discourse around the tough challenges we face as a community. As we reflect on the decade worth of work we have done as an organization, it is imperative that we utilize our network and resources to ensure that creatives have the capacity to create and be the spark of joy we need in our lives.

We are committed to ensuring that artists, curators and cultural producers of all gender expressions, sexual orientation, disability status, and socioeconomic class have access to the fund and will actively work to ensure outreach is targeted to groups otherwise excluded from resources of this nature. Applications will be accepted on a rolling basis as funds become available. Microgrant amounts are determined on a case-by-case basis depending on the scale of the project.

We established the Community Fund to provide support to professional creators during times of extraordinary hardship.

This year, we have witnessed the unprovoked, violent attacks on Ukraine and the tragic loss of innocent lives. As we see continue to see this tragedy unfold, we believe we have a responsibility to support professional creators during the growing humanitarian crisis and refugee situation in the region. We will now be focusing our Community Fund efforts on providing support to those creators who have been directly impacted by the unjustified invasion of Ukraine.

If selected, you will receive US$10,000 from the Adobe Creative Residency Community Fund. While applicants can use the money granted to them by the Community Fund at their full and lawful discretion, the purpose of the award is to allow recipients impacted by the invasion of Ukraine to support themselves and their families during this time of conflict. See the full list of qualification criteria here. https://www.adobe.com/about-adobe/creative-residency/community-fund.html

Three times per year, downtown OKC IT firm amshot hosts an art opening featuring the art work of a local artist. The event benefits a local charitable organization and artists retain 90 percent of their sales.

As a local business, amshot typically focuses on IT services and software development, but our team is also passionate about supporting the local art community. With this in mind, we created exhibITion to promote local artists, give back to our community, and enjoy the company of fellow art-lovers.

Three times per year, we feature a local artist’s work on our office walls, host an art exhibition and sale, invite a local brewery, serve wine and hors d’oeuvres, and donate the proceeds of the event to a charitable organization.

The art show is hosted at amshot’s office in Downtown OKC. Admission to the gallery is free, but those 21+ can donate $5 to the featured charitable organization in exchange for a wristband that will allow them beer from the featured local brewery and wine. Light hors d’oeuvres are also served. All art displayed will be for sale and can be purchased with card or cash. The sold and unsold art will then hang in amshot’s office until the next exhibITion for all to enjoy.

Artworkshops Australia was founded in Bangalow NSW 15 years ago and has staged more than 250 workshops and trips around Australia. Our professional teaching artists are proficient at teaching all levels across most mediums.

Two day weekend workshops are held in our Byron Hinterland studio on private property and provide for an in depth focus across a variety of visual arts disciplines and mediums. Extended 4 day workshops and trips are conducted at various locations within Australia and usually en plein air.

Instruction in Still life, Figurative, Landscape and Abstraction are conducted by acclaimed and inspirational teachers with vast teaching experience and highly regarded in the Australian art world.

Immersing yourself in the adventure of painting with other artists is central to advancing your practice and creating interesting art.

Please reach out to workshop teachers directly for more details about the workshop.

One of our most vital services, the SubletSeries@HERE supports 150 guest independent artists and groups—such as Colt Coeur, Ma-Yi, and New Georges each season. As Ben Brantley of The New York Times states, “HERE’s Sublet Series allows artists to develop and perform work, at a discount.”

This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, a technical liaison, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, LEDs—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.

Open to Performance Artists, Film, theater, Music and Dance.

THE POP CULTURE COLLABORATIVE’S VISION AND PURPOSE
Throughout America’s history, the most transformative cultural shifts—from slavery abolition to Reconstruction, “I Have A Dream” to “Yes We Can,” #BlackLivesMatter, the DREAM-ers, and Love Is Love—have been achieved by movements and leaders who have awakened people’s deep yearning to belong in a pluralist America. In each case, the tug-of-war between belonging and exclusion sparked a portal moment—a cracking open of the public imagination about what this nation is capable of becoming.

We believe our nation is on the precipice of another historic breakthrough: a once-in-a-generation opportunity for the American people to decisively choose to move in the direction of pluralism and justice. How will we respond to this call for transformation? Will we submit to authoritarian narratives that entice us to retreat back into the systems of exclusion and violence that stain our past, or will we step boldly through the portal and onto the path towards our pluralist future?

Americans have the opportunity to ask: What society do we yearn to create and who can we empower to lead the way? If, as civil rights scholar Vincent Harding once said, America is “a country that has yet to be born,” the pop culture for social change field can help prepare and guide millions of people through this process of becoming something new by clearing away the detritus of our nation’s past, replacing fetid, crumbling ideas and norms with ones rooted in justice, care, and connection.

Together, artists, organizers, strategists, and researchers can create the stories that help the American public understand and interpret the choices we face through the lens of our shared commitment to becoming a pluralist nation.

Over the long-term, the Collaborative is working to support the growth of a pop culture for social change field capable of building the yearning in most Americans (more than 150 million people) to actively co-create a just and pluralist society in which everyone is perceived to belong, inherently, and is treated as such. The Pop Culture Collaborative defines a pluralist society as a culture in which the majority of people in a community and nation are engaged in the hard and delicate work of belonging together in a just and equitable society.

GRANT ELIGIBILITY
Individuals/organizations with fiscal sponsorships as well as nonprofits and for-profits in the United States are eligible for Pop Culture Collaborative grants.

To be considered, proposals must engage, affect, center, and/or support at least one or all of our multi-community focus areas: people of color, immigrants, refugees, Indigenous peoples, and/or Muslims, particularly those who are women, queer, transgender, and/or disabled. Initiatives with an intersectional and intentional focus on gender justice, LGBTQIA rights, disability, democratic fairness, pluralist values, and economic justice are highly prioritized. The Collaborative seeks grantee partners working at the intersection of pop culture and social change who:

Are artists, activists, organizations, strategists, researchers, and/or others who identify culture change as a clear outcome of their work and pop culture strategies as a critical aspect of their culture change efforts.
The Pop Culture Collaborative provides grants to artists and organizations or companies that support artist cohorts, from various disciplines, locations, and industries to bring their artistic vision to mass audiences, while also contributing to field-wide efforts to build public yearning for a pluralist America.

We seek to create a large, networked community of artists who believe that their creative work and leadership have the power to inspire millions of Americans to actively co-create a pluralist society.

Areas of interest include:

Supporting artists and cultural organizations to conceptualize, develop, and produce creative works that can help build public yearning for pluralist culture in America.
Supporting artists to gather for shared learning, networking, community-knitting, and power-building, especially spaces that bring artists into direct and meaningful connection with frontline activists and culture change strategists.
Helping artists and organizations develop the methodology, networks, infrastructure, pipelines, and leadership skills needed to redistribute access and power in their respective industries to historically excluded communities.

The Pop Culture Collaborative accepts proposals by invitation only. However, we have created a simple process for potential grantees to self-evaluate whether they are a match with the Collaborative’s goals and guidelines, and if so, to submit an idea for our consideration. It is important to note that an idea submission is not a proposal. The Collaborative will respond only to idea submissions that the staff team has reviewed and deem a potential match.

"This monthly initiative was launched to give all emerging artists around the world even more chances to win cash, publication and more!

Every month we will choose 3 artists to win $100 cash, a published interview with our Art Director & Founder Chantal Boynes, a winner’s certificate and a feature in our Newsletter going out to almost 40,000 artists, gallerists and art lovers. Each month artists will submit to a theme with all artists practicing 2D & 3D mediums welcome to apply.

The Japan Foundation, New York office (JFNY) accepts applications from non-profit organizations for projects that take place within the 37 states east of the Rocky Mountains, plus Washington D.C., listed below for the JFNY Grant for Arts & Culture on a rolling basis throughout the year. This grant aims to support projects that will further understanding of Japanese arts and culture. Successful projects are granted up to $5,000. This grant also supports online projects related to Arts & Cultural Exchange that incorporate issues pertaining to the COVID-19 global pandemic such as virtual exhibitions, virtual performances, film streaming, online conference as well as webinar. Priority will be given to those projects that have secured additional funding from sources other than the Japan Foundation, as well as projects that take place in areas where access to Japanese cultural events are relatively limited.

The Craft Emergency Relief Fund (CERF+) emergency relief grant focuses on artists working in craft or materials-based folk/traditional disciplines that are 18 years or older and have resided and worked in the U.S. or U.S. territories for the past 2 years. These artists must have experienced a recent, unforeseen, career threatening emergency. Emergency Relief is available year-round.
The Get Ready Grant program provides individual craft artists grants up to $500 to conduct activities that will help safeguard their studios, protect their careers and prepare for emergencies. Artists are encouraged to use the Risk Assessment activity to generate ideas. Priority will be given to applications from people who identify in the global majority or as Black, Indigenous, People of Color (BIPOC)* and folk and traditional artists. Get Ready Grants are available multiple times a year. Check the website for deadlines.

Local studio artist residencies are open to local artists who wish to rent either live/work or day studios at the center for terms of 1-2 years with a possibility for renewal. We have artist studios on two campuses – on our 18th Street campus at 1639 18th Street, and the Airport campus at 3026 Airport Ave at the Santa Monica airport. On our 18th Street campus, these studios are subsidized in part by 18th Street Arts Center at far below market rate in an effort to provide local artists with affordable rental properties within Santa Monica. Our Airport campus is a city-owned building and artists lease directly with the City of Santa Monica, who set the terms for the leases on that site, with 18th Street Arts Center acting as facility and program managers. The local studio program is open to artists of all disciplines, as well as small, artist-run initiatives. When a space becomes available, applications are reviewed by an impartial jury and artists are selected at that time. Applicants should indicate their space and affordability requirements, as well as which campus they prefer.

Duration: 1-2 years

DEADLINE IS ONGOING

The Black Artists Grant (BAG) offered by Creative Debuts as a no-strings attached financial support to help black artists. They can spend the grant on whatever they want – be that make new work, buy equipment or materials, travel, research, visit exhibitions or conferences, or to even just cover some life expenses.

This grant has been set up because black artists are systematically under-supported by the art world; by institutions, curators, the artist-led scene, major and minor funding bodies, the market, art schools, and by audiences too.

The Adolph and Esther Gottlieb Emergency Grant program is intended to provide interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen, catastrophic incident, and who lack the resources to meet that situation. Each grant is given as one-time assistance for a specific emergency, examples of which are fire, flood, or emergency medical need.

DEADLINE IS ONGOING

The Foundation provides financial resources for visual artists to create new work, acquire supplies, rent studio space, prepare for exhibitions, attend a residency and offset living expenses.
The Foundation welcomes, throughout the year, applications from visual artists who are painters, sculptors and artists who work on paper, including printmakers. There are no deadlines. Grants are intended for a one-year period of time. The size of the grant is determined by the individual circumstances of the artist. Professional exhibition history will be taken into consideration. Artists must be actively exhibiting their current work in professional artistic venues, such as gallery and museum spaces.
Ongoing application.

"Studio Sundays" Series by Create! Magazine: Share Your Creative Space

Welcome to the "Studio Sundays" series, brought to you by Create! Magazine. We invite artists to open the doors to their creative spaces and reveal the heart of their process. Each month, we handpick several inspiring studio spaces to showcase on our platform.

Discover the places where imagination comes to life, from cozy corners to professional studios and even the kitchen tables where art is born. Join us on a journey through these unique spaces, accompanied by the artists' exceptional work and stories.

This series is a celebration of creativity and an exploration of the environments that nurture it. We invite you to immerse yourself in the world of "Studio Sundays" and be inspired by the diversity of artistic spaces within our vibrant community.

Online Submission Guidelines For Artists

Submission Eligibility: Create! Magazine welcomes submissions from artists, makers, designers, and more.
How to Submit: Please send your work through the form below to be considered for a feature.
Benefits of Being Featured: Published artists will receive promotion on our website and featured spots on our social media platforms.

Submission Requirements:
5-10 JPEG Images: Provide high-quality images of your work.
Website or Social Media Links: Include links to your website or social media profiles.
Written Bio and/or Statement: Share a brief biography and/or an artist statement.
Studio, Process, and Materials Images: Showcase your studio, creative process, and the materials you use.
A Headshot: Include a professional headshot of yourself.

Notification: Due to the high volume of submissions, artists will only be notified if their work is accepted. Notifications will be sent via email or by tagging artists on social media.

AGREEMENT: By submitting artwork via this call, the artist agrees to the following terms:
Create! Magazine reserves the right to use images of the artwork on its website and social media.
Inclusion is not guaranteed as this is a juried opportunity.
The artist retains full copyright of the work.
Images submitted will only be used by Create! Magazine for interviews and social media posts.

Solas Studio is a fast-growing artist-run event space and gallery in Manhattan’s Flatiron District. (117 E 24th St. #2D) Join for as little as $5 a month! Never pay to show your work with Solas. All money paid into your membership is redeemable for print materials and services offered by Solas!

Solas Studio Artist Membership functions like a savings account that can be used to pay for professional services and products. Members at $25 and above receive a featured artist page where you can sell on-demand prints of your work or any originals you have in our storage facility.

All members enjoy perks like:

- Quarterly group exhibitions with guaranteed participation.

- Opportunities for solo exhibitions and curatorial projects.

- Supportive and collaborative community of artists and photographers.

- Regular developmental workshops and social gatherings.

As a member of Solas Studio, in Manhattan's Flatiron District, you have access to a fully equipped A/V media studio, fine art printer, and event space. Use your paid dues for:

Museum-quality Prints
Business cards
Flyers + promotional materials
T-Shirts, enamel pins and other merchandise
Help with your Website
Professional bios and artist statements
Podcast & Photo Studio Time
Promotional Video

You can get all the membership details here - https://solas.studio/membership

You can also visit our social media accounts on:

Instagram @solasstudionyc

FaceBook/solasstudionyc

Twitter @solasstudionyc

TikTok @solasstudionyc

Cultural sector workers based in Greater Austin facing verifiable and immediate housing, food or healthcare insecurity (including travel, lodging and procedure expenses related to reproductive care) may apply for up to $1000 in unrestricted funds. The funding pool is limited, so applicants are asked to carefully consider the amount they request. Applications are reviewed on an ongoing basis, and are subject to verification and available funds. A short phone interview may be required. Priority will be given to ACA members. Repayment is not required, but artists who receive funding may be asked to support the ACA Community in the future.

DEADLINE IS ONGOING

Max’s Emergency Relief & Resource Fund is a one-time grant of between $500 and $1000 to assist self-employed artists who have a steady work history, but who are experiencing a temporary financial set back. MKCP assistance is designed to resolve this short term crisis, whatever it may be, and the applicant will again gain employment in the near future. Individuals seeking assistance must be residents of New York State. Exceptions are made in some cases if applicant was affiliated with Max’s Kansas City. Applicants whose arrears are so serious that assistance will not allow them relief from their difficulties are not eligible for assistance. Please be specific as to what bill the grant is needed for. Grants of financial assistance do not go to the applicant. Payment goes directly to creditor/third party. Please note, although MKCP Emergency Grant does cover medical bills, it does not cover psychotherapy costs unless the psychotherapist is an MD. MKCP only covers housing, medical and legal aid. The application and support materials must be sent by snail mail!

The dual artistic mentoring program run by Tlaxcala 3 + Lab Program, facilitates a partnership to develop critical skills and sensitive tools, where the concept of archive is presented as an opportunity to experiment and reflect on the role of memory in artistic creation.

This dual program aims to unravel the hidden layers of meaning, secrecy, and control often found within institutions, discourses, and social and spatial practices addressed in the conventional notion of archive.

Hierarchies and contradictions presented in texts and discourses, which, through simulation and the modern concept of reality, allow us to question concepts such as authenticity and truth in an era of simultaneous images, signs, multiple temporalities, and spaces. The cost of the residency is $25,000 MXN or 1,700 USD.
Studio Facilities are provided in collaboration with peer self-run art spaces in the city. This is a modality that encourage engagement with the wide and diverse art communities in Mexico City.

Up to six best in show artists will have their work published with a critical review in our Artist Feature Catalogue. Artists participating in our online exhibit will have two works of art on display and links to their website and social media. Artists keep 100% sales of their work.

You can apply for online exhibits by emailing us at [email protected].
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How to apply:

Email your resume, 3 image samples, and artist website.

There are no application or registration fees. Artist Feature Catalogue articles are published on our website and on our Substack page.

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Please submit your ARTWORK to [email protected], along with the following information:
-Your full name and/or pen name.
-Your country of residence.
-A photograph of you (high-resolution with no filters)
-A brief third-person bio (2-5 sentences). If your bio includes references of your past work, feel free to provide links!
-A brief foreword to your piece, explaining your inspiration for creating the piece, background information, and any other key insight for the reader.

The International Human Rights Art Movement and IHRAM Publishes give voice to the most vulnerable people in the most difficult situations around the world, harnessing their passion, creativity, and positivity to address the pressing human rights challenges in their community.  We not only give their narrative a global stage, but empower them to find peace and effect change in their local communities.

IHRAM Publishes pays $25 per accepted artist.

We publish an ever-expanding collection of original works from lesser known and up-and-coming writers AND ARTISTS who seek to bring attention to urgent social justice issues around the world. We base our work on the values of beauty, sincerity, vulnerability, engagement and celebration of diversity. HRAM Publishes has presented work from 50 countries and 30 U.S. States.

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IHRAM Publishes is moving to a quarterly, themed literary edition!

We will be focusing on the following concerns:

FIRST AND FOURTH QUARTER: VOICE OF A REFUGEE: RESILIENCE AMIDST DISPLACEMENT.
According to the UNHCR, 117.2 million people will be forcibly displaced or stateless in 2023 — this is up nearly 100% in the past decade, and the most in recorded history. This issue will drive our literary magazine, bookending our publication year.

We are eager to publish firsthand experiences and factual, sensitive retellings of refugee experiences. We are not looking to publish fictional interpretations of the refugee experience at this time.

Themes: Journey, survival, identity, belonging, loss and resilience, hope, community, solidarity, cultural preservation, chosen family and blood relation, integration into new cultures, intersectionality, and global perspective.

SECOND QUARTER: FEMININE EMPOWERMENT.
Though women comprise more than 50% of the world's population, they only own 1% of the world's wealth. In some places, women still lack rights to own land or to inherit property, obtain access to credit, earn income, or to move up in their workplace, free from job discrimination. In legislatures around the world, women are outnumbered 4 to 1.

We are eager to publish firsthand experiences by women, factual retellings of stories told by women in the author's life, and reflections of the writer's personal experience with gendered inequality. We encourage submissions from, regardless of gender identity!

Themes: Economic empowerment, workplace equality, legal rights, women in leadership roles, educational opportunities, violence against women, health and wellbeing, comparison of historical and contemporary women's voices, solidarity, femininity, gender expression.

THIRD QUARTER: CHILDHOOD EDUCATION IN AFRICA.
Three out of four children do not attend any form of preschool in Central, West and sub-Saharan Africa. Over 20% of children between the ages of about 6 and 11 are out of school; followed by one-third of youth between the ages of about 12 and 14. Almost 60% of youth between the ages of about 15 and 17 are not in school.

We are eager to publish firsthand accounts from African Youth writers, reflections by adult writers on their youth experiences, and firsthand accounts from childhood educators, and factual retellings.

Themes: Access to education, barriers, early childhood development, childhood dreams and aspirations, value of the youth voice, role models, challenges faced by teachers.

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Of course, we will continue to look, to listen and to learn about issues of concern for creators from Algeria to Zimbabwe, and everywhere in between! Up to 50% of each issue will be reserved for pieces that expand our understanding of human rights and social justice concerns not covered by the quarterly theme.

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Submission Guidelines:
Please submit your ARTWORK, poem, short story, or essay (2500 words or less) to [email protected], along with the following information:
-Your full name and/or pen name.
-Your country of residence.
-A photograph of you (high-resolution with no filters)
-A brief third-person bio (2-5 sentences). If your bio includes references of your past work, feel free to provide links!
-A brief foreword to your piece, explaining your inspiration for writing the piece, background information, explanation of key characters, and any other key insight for the reader.

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IHRAM Publishes pays $50 per accepted piece.